Describe the structure of a canon.
A melody is imitated by one or more voices after a short delay. The melody may be repeated exactly or with some variations.
How does call and response work?
A soloist (the “caller”) is answered by a group (the “response”).
Describe the structure of a canon.
A melody is imitated by one or more voices at a set time interval.
How is a canon created?
A melody is played or sung and then layered on top of itself, displaced by time.
What type of motion is preferred in counterpoint?
Contrary or oblique motion is preferred.
What intervals should be avoided in counterpoint?
Avoid intervals larger than a tenth and the tritone.
How should a skip be followed in counterpoint?
Follow a skip in one direction with a step in the opposite direction.
What is the rhythmic relationship in first species counterpoint?
One note in the counterpoint for every one in the *cantus firmus*.
What is the rhythmic relationship in second species counterpoint?
Two notes in the counterpoint for every one in the *cantus firmus*.
What is the rhythmic relationship in third species counterpoint?
Four notes in the counterpoint for every one in the *cantus firmus*.
How should perfect consonances be approached?
Approach perfect consonances using contrary or oblique motion.
How should beginnings and endings be treated in counterpoint?
Beginnings and endings must be perfect consonances (perfect octaves or fifths).
What should be done with the leading tone?
Raise the leading tone when approaching the tonic from below.
What should the line opposing the cantus firmus have?
The line opposing the *cantus firmus* should have a “high point” on a strong beat.
