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Glossary

A

Adagio

Criticality: 1

A tempo marking indicating a slow and stately speed.

Example:

The slow movement of a symphony is often marked Adagio.

Allegretto

Criticality: 1

A tempo marking indicating a moderately fast speed, slightly slower than allegro.

Example:

A light and cheerful dance might be played Allegretto.

Allegro

Criticality: 2

A tempo marking indicating a fast, quick, and bright speed.

Example:

Many classical sonata movements begin with an Allegro tempo.

Andante

Criticality: 2

A tempo marking indicating a moderate speed, literally 'at a walking pace'.

Example:

A comfortable, flowing melody is often played Andante.

Andantino

Criticality: 1

A tempo marking indicating a speed slightly faster than Andante.

Example:

A slightly more animated walking pace might be indicated by Andantino.

Articulation

Criticality: 3

The manner in which individual notes are played or sung, affecting their attack, duration, and decay.

Example:

Different articulation markings can completely change the character of a musical phrase.

B

Bass Clef

Criticality: 3

Also known as the F clef, it indicates that the fourth line from the bottom of the staff is F below middle C, commonly used for lower-pitched instruments and voices.

Example:

The cello's deep tones are notated in the bass clef, making its lower register easy to read.

Beat

Criticality: 3

The fundamental pulse of music, providing the underlying rhythmic framework.

Example:

Tapping your foot along with a song helps you feel the beat.

C

Chromatic

Criticality: 2

Referring to notes or harmonies that are outside of the prevailing major or minor key, often involving accidentals.

Example:

Adding a C# to a melody in C major introduces a chromatic element.

Chromatic Scale

Criticality: 2

A musical scale consisting entirely of half steps, encompassing all twelve pitches within an octave.

Example:

Playing every single key on a piano, black and white, in order, creates a chromatic scale.

Compound Meter

Criticality: 3

A meter where the main beats are divided into three equal subdivisions (e.g., 6/8, 9/8, 12/8).

Example:

A jig often uses compound meter like 6/8, giving it a lilting, triplet feel.

Crescendo (<)

Criticality: 3

A dynamic marking indicating to gradually get louder.

Example:

A crescendo builds excitement as the music slowly increases in volume.

D

Decrescendo (>) / Diminuendo (dim.)

Criticality: 3

Dynamic markings indicating to gradually get softer.

Example:

A decrescendo can create a fading effect as the music slowly decreases in volume.

Diatonic

Criticality: 2

Referring to notes or harmonies that belong naturally to a specific major or minor key, using only the pitches found within that scale.

Example:

A melody that uses only the notes of the C major scale is considered diatonic to C major.

Dominant

Criticality: 3

The fifth scale degree, located a perfect fifth above the tonic, which strongly pulls towards the tonic and is crucial for harmonic progression.

Example:

The G in a C major scale is the dominant, often leading back to C.

Duple Meter

Criticality: 2

A meter with two beats per measure, which can be simple (e.g., 2/4) or compound (e.g., 6/8).

Example:

A simple march is often in duple meter, with a strong-weak beat pattern.

Dynamics

Criticality: 3

The loudness or softness of music, indicated by specific markings.

Example:

Composers use dynamics to create emotional contrast and shape the musical narrative.

E

Eighth Note

Criticality: 3

A note value that is half the duration of a quarter note, typically receiving half a beat.

Example:

Two eighth notes can fit into the space of one quarter note, creating a faster rhythm.

F

Flat (♭)

Criticality: 3

An accidental that lowers a pitch by one half step.

Example:

A B*♭* means to play the note a half step lower than B natural.

Forte (f)

Criticality: 3

A dynamic marking indicating to play loudly.

Example:

A powerful orchestral chord would be marked f (forte).

Fortissimo (ff)

Criticality: 2

A dynamic marking indicating to play very loud.

Example:

The climax of a dramatic symphony might be marked ff (fortissimo).

G

Grand Staff

Criticality: 2

A combination of the treble and bass clefs, connected by a brace, used to represent a wide range of pitches, often for piano music.

Example:

Pianists read music on a grand staff, with the right hand typically playing notes in the treble clef and the left hand in the bass clef.

Grave

Criticality: 1

A tempo marking indicating a very slow and solemn speed.

Example:

A funeral march might be marked Grave to convey its somber mood.

H

Half Note

Criticality: 3

A note value that is twice the duration of a quarter note, typically receiving two beats.

Example:

A sustained sound in a melody might be written as a half note.

Half Step

Criticality: 3

The smallest interval in Western music, representing the distance between two adjacent keys on a piano (e.g., C to C# or E to F).

Example:

The interval between B and C is a natural half step.

K

Key

Criticality: 3

A tonal center around which a piece of music is organized, determined by a specific scale and its associated harmonies.

Example:

Many pop songs are written in a major key to evoke a happy feeling.

Key Signature

Criticality: 3

A set of sharps or flats placed at the beginning of a staff, indicating the key of a piece of music and which notes are consistently altered.

Example:

The key signature with two sharps tells you the piece is in D major.

L

Larghetto

Criticality: 1

A tempo marking indicating a speed that is slightly faster than largo but still quite slow.

Example:

A gentle, flowing melody might be marked Larghetto.

Largo

Criticality: 1

A tempo marking indicating a broad and very slow speed.

Example:

Handel's famous 'Ombra mai fù' is often performed at a Largo tempo.

Leading Tone

Criticality: 3

The seventh scale degree in a major scale (and harmonic minor), located a half step below the tonic, creating a strong melodic pull towards the tonic.

Example:

The B in a C major scale is the leading tone, strongly resolving to C.

Legato

Criticality: 3

An articulation marking indicating to play notes smoothly and connected, without any breaks between them.

Example:

A flowing, lyrical melody is typically played legato.

Lento

Criticality: 1

A tempo marking indicating a slow speed.

Example:

The opening of a ballad might be played Lento to establish a reflective atmosphere.

M

Major Scale

Criticality: 3

A specific type of scale characterized by a pattern of whole and half steps: W-W-H-W-W-W-H, creating a bright and uplifting sound.

Example:

The C major scale is often the first scale musicians learn due to its lack of sharps or flats.

Marcato

Criticality: 2

An articulation marking indicating to play a note emphasized and strongly accented.

Example:

A powerful, declarative statement in music might feature marcato notes.

Measures (Bars)

Criticality: 2

Segments of music on the staff, separated by vertical bar lines, that contain a specific number of beats as indicated by the time signature.

Example:

Composers organize their music into measures to create clear rhythmic groupings.

Mediant

Criticality: 2

The third scale degree, located a whole step or half step above the supertonic, depending on the scale type.

Example:

The E in a C major scale is the mediant.

Meter

Criticality: 3

The organization of rhythmic pulses into recurring patterns of strong and weak beats, indicated by the time signature.

Example:

The steady march of a band clearly establishes a strong meter.

Mezzo Forte (mf)

Criticality: 2

A dynamic marking indicating to play moderately loud.

Example:

A strong but not overwhelming melodic line might be marked mf (mezzo forte).

Mezzo Piano (mp)

Criticality: 2

A dynamic marking indicating to play moderately soft.

Example:

A background accompaniment might be marked mp (mezzo piano) to support the main melody without overpowering it.

Moderato

Criticality: 2

A tempo marking indicating a moderate speed.

Example:

A piece with a steady, balanced feel might be marked Moderato.

N

Natural (♮)

Criticality: 3

An accidental that cancels a previously applied sharp or flat, restoring the note to its original pitch.

Example:

After a measure with C sharp, a C*♮* indicates to play C without any alteration.

P

Pianissimo (pp)

Criticality: 2

A dynamic marking indicating to play very soft.

Example:

A whisper-quiet passage would be marked pp (pianissimo).

Piano (p)

Criticality: 3

A dynamic marking indicating to play softly.

Example:

A delicate melody might be marked p (piano) to ensure it's played quietly.

Prestissimo

Criticality: 1

A tempo marking indicating the fastest possible speed, even faster than presto.

Example:

Only the most agile performers can truly master a piece marked Prestissimo.

Presto

Criticality: 1

A tempo marking indicating an extremely fast speed.

Example:

The finale of a virtuosic concerto is often marked Presto.

Q

Quadruple Meter

Criticality: 2

A meter with four beats per measure, which can be simple (e.g., 4/4) or compound (e.g., 12/8).

Example:

Most popular songs are written in quadruple meter, often 4/4.

Quarter Note

Criticality: 3

A note value that typically receives one beat in common time signatures like 4/4.

Example:

In a marching band, each step often aligns with a quarter note.

R

Rests

Criticality: 3

Symbols in music notation that indicate periods of silence for specific durations, corresponding to note values.

Example:

A composer uses rests to create moments of suspense or allow instruments to breathe.

Rhythmic Pattern

Criticality: 2

A recurring sequence of note durations and rests that forms a distinct musical phrase or motif.

Example:

The opening of Beethoven's Fifth Symphony features a famous short-short-short-long rhythmic pattern.

S

Scale

Criticality: 3

A series of musical pitches arranged in ascending or descending order, forming the basis for melodies and harmonies.

Example:

Learning to play a scale is often the first step in mastering a new key on an instrument.

Sharp (♯)

Criticality: 3

An accidental that raises a pitch by one half step.

Example:

If you see a F*♯* in the music, you play the note a half step higher than F natural.

Simple Meter

Criticality: 3

A meter where the main beats are divided into two equal subdivisions (e.g., 2/4, 3/4, 4/4).

Example:

A waltz is typically in 3/4 simple meter, with each beat dividing into two eighth notes.

Sixteenth Note

Criticality: 3

A note value that is half the duration of an eighth note, typically receiving one-quarter of a beat.

Example:

Fast, intricate passages often feature many sixteenth notes played in rapid succession.

Staccato

Criticality: 3

An articulation marking indicating to play a note short and detached, with a brief silence after it.

Example:

A bouncy, playful melody might use staccato notes.

Staff

Criticality: 3

The fundamental framework for writing music, composed of five horizontal lines and four spaces.

Example:

A melody is typically written on a musical staff to show its pitch and rhythm.

Subdominant

Criticality: 2

The fourth scale degree, located a perfect fourth above the tonic, often creating a sense of movement away from the tonic.

Example:

In the key of F major, B-flat is the subdominant.

Submediant

Criticality: 2

The sixth scale degree, located a major or minor sixth above the tonic.

Example:

In a C major scale, A is the submediant.

Supertonic

Criticality: 2

The second scale degree, located a whole step above the tonic.

Example:

In a C major scale, D is the supertonic.

T

Tempo

Criticality: 3

The speed at which a piece of music is played, typically measured in beats per minute (bpm) or indicated by descriptive terms.

Example:

A fast tempo can make a piece feel energetic and exciting.

Tenuto

Criticality: 2

An articulation marking indicating to play a note for its full value, often with a slight emphasis.

Example:

A sustained, expressive note might be marked tenuto.

Time Signature

Criticality: 3

A musical notation symbol consisting of two numbers, indicating the number of beats per measure (top number) and the note value that receives one beat (bottom number).

Example:

The time signature 4/4 means there are four quarter notes per measure.

Tonic

Criticality: 3

The first and most stable note of a scale, serving as the tonal center or home base of a key.

Example:

In the key of G major, G is the tonic, providing a sense of resolution.

Treble Clef

Criticality: 3

Also known as the G clef, it indicates that the second line from the bottom of the staff is G above middle C, commonly used for higher-pitched instruments and voices.

Example:

The violin plays in the treble clef, allowing it to easily read its high melodic lines.

Triple Meter

Criticality: 2

A meter with three beats per measure, which can be simple (e.g., 3/4) or compound (e.g., 9/8).

Example:

A waltz is a classic example of music in triple meter.

V

Vivace

Criticality: 1

A tempo marking indicating a lively and fast speed, often faster than allegro.

Example:

A vibrant and energetic piece might be marked Vivace.

W

Whole Note

Criticality: 3

A note value that is twice the duration of a half note, typically receiving four beats in common time signatures.

Example:

A long, held chord at the end of a piece is often a whole note.

Whole Step

Criticality: 3

An interval equivalent to two half steps, representing the distance between two notes (e.g., C to D).

Example:

The distance from C to D is a whole step, as it skips over C#.