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  1. AP Music Theory
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Glossary

A

Augmented Intervals (A)

Criticality: 2

Intervals that are one half step larger than their corresponding major or perfect intervals.

Example:

Taking a Perfect 4th (C to F) and raising the F to F# creates an Augmented 4th, a highly dissonant interval.

C

Chromatic Scale

Criticality: 2

A musical scale that includes all twelve pitches within an octave, with each adjacent note separated by a half step.

Example:

Playing every single key on the piano from C to the next C, including all the black keys, creates a chromatic scale.

Consonant Intervals

Criticality: 3

Intervals that sound stable, resolved, and pleasing to the ear.

Example:

Major 3rds and Perfect 5ths are considered consonant intervals, providing a sense of rest and harmony.

D

Diminished Intervals (d)

Criticality: 2

Intervals that are one half step smaller than their corresponding minor or perfect intervals.

Example:

A Perfect 5th (C to G) becomes a diminished 5th when the G is lowered to Gb, creating a tritone.

Dissonant Intervals

Criticality: 3

Intervals that sound unstable, unresolved, and create tension, often requiring resolution to a consonant interval.

Example:

Major 2nds and minor 7ths are examples of dissonant intervals that drive musical motion forward.

H

Half Step

Criticality: 3

The smallest distance between two adjacent notes in Western music, also known as a semitone.

Example:

The distance from B to C on the piano is a half step, as is the distance from F to F#.

I

Interval

Criticality: 3

The distance in pitch between two musical notes.

Example:

The space between the first two notes of 'Twinkle, Twinkle Little Star' is a perfect 5th interval.

M

Major Intervals (M)

Criticality: 3

Specific intervals (2nd, 3rd, 6th, 7th) found when building from the tonic of a major scale.

Example:

From C, the note E forms a Major 3rd, a common consonant interval.

Minor Intervals (m)

Criticality: 3

Intervals (2nd, 3rd, 6th, 7th) that are one half step smaller than their corresponding major intervals.

Example:

If C to E is a Major 3rd, then C to Eb is a minor 3rd, often associated with a more somber sound.

P

Perfect Intervals (P)

Criticality: 3

Specific intervals (unison, 4th, 5th, octave) considered stable and consonant, derived from the overtone series.

Example:

The interval from C to G is a Perfect 5th, often used to create strong harmonic foundations.

Q

Quality (of an interval)

Criticality: 3

Describes the specific type of an interval (e.g., major, minor, perfect, augmented, diminished), indicating its exact number of half steps.

Example:

While C to E is a 3rd in size, its quality is Major, making it a Major 3rd.

S

Size (of an interval)

Criticality: 3

Refers to the numerical distance between two pitches, determined by counting the letter names (including the starting and ending notes).

Example:

From C to G, you count C, D, E, F, G, making it a 5th in size.

T

Tritone

Criticality: 3

An interval spanning three whole steps, equivalent to an augmented 4th or a diminished 5th, historically considered highly dissonant.

Example:

The opening two notes of 'The Simpsons' theme song famously outline a tritone, creating immediate tension.

W

Whole Step

Criticality: 3

A musical interval equal to two half steps.

Example:

Moving from C to D on the keyboard covers a whole step, skipping over C#.