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Glossary

A

Adaptation

Criticality: 2

A reason for transposition, used to adjust a melody to fit different vocal ranges or instrumental capabilities.

Example:

A song originally written for a high soprano might undergo adaptation through transposition to be sung comfortably by a baritone.

C

Contrast

Criticality: 2

An effect of transposition in motivic development, where transposing a motive to a different mode or pitch range creates a new and distinct variation.

Example:

A playful motive in major might be transposed to its parallel minor to create a dramatic contrast in mood.

D

Development

Criticality: 2

An effect of transposition, where gradually shifting a melody or motive over time creates a sense of movement and progression.

Example:

In a fugue, the subject often undergoes development through sequential transpositions, building intensity.

F

Fixed Interval

Criticality: 2

A method in motivic analysis where a motive is consistently transposed by the same interval, maintaining its exact intervallic structure.

Example:

When a composer repeats a melodic idea exactly a perfect fourth higher each time, they are using a fixed interval transposition.

I

Interval-Based Transposition

Criticality: 3

A method of transposition where each note in a melody is shifted up or down by a specific, consistent interval (e.g., a perfect fifth).

Example:

To transpose a melody up a major third using interval-based transposition, every C would become an E, every D an F#, and so on.

Intervallic Structure

Criticality: 3

The specific sequence and quality of intervals between consecutive notes in a melody.

Example:

A melody starting with a major second followed by a perfect fourth has a distinct intervallic structure that remains constant even when transposed.

K

Key Change

Criticality: 2

A reason for transposition, used to alter the overall tonal center of a musical piece.

Example:

Many pop songs feature a key change towards the end, often achieved by transposing the entire melody and harmony up a step or half-step for a climactic effect.

M

Melodic Transposition

Criticality: 3

The process of shifting a melody to a different pitch level while preserving its original intervallic structure and rhythms.

Example:

If you take a familiar tune like 'Twinkle, Twinkle Little Star' and play it starting on G instead of C, you're performing a melodic transposition.

Melodic Variation

Criticality: 2

The alteration of notes or rhythms within a melody while retaining its core identity, distinct from simply changing its pitch level.

Example:

Adding passing tones or changing the rhythmic values of notes in a theme would be melodic variation, whereas moving the entire theme up a step is transposition.

Modal Transposition

Criticality: 3

A method of transposition where a melody is shifted within the same key but its mode is changed, altering the relationship between pitches without using accidentals.

Example:

Transposing a melody from C major down a third using modal transposition would result in the melody being in A natural minor, using only the notes of the C major scale.

Motive

Criticality: 3

A short melodic or rhythmic idea that serves as a building block and is repeated or varied throughout a musical composition.

Example:

Beethoven's Symphony No. 5 famously begins with a four-note motive (short-short-short-long) that is developed throughout the piece.

Motivic Analysis

Criticality: 3

The study of how short melodic or rhythmic ideas (motives) are developed, repeated, and varied throughout a musical composition.

Example:

Motivic analysis helps us understand how composers build complex pieces from simple musical cells, often involving transposition.

U

Unity

Criticality: 2

An effect of transposition in motivic development, where repeating a motive at different pitch levels creates a sense of connection and coherence within a piece.

Example:

The consistent reappearance of a transposed theme throughout a symphony contributes to the work's overall unity.

V

Variation

Criticality: 2

A reason for transposition, used to create new versions of a melody, adding interest and diversity to a piece.

Example:

A composer might present a theme and then use variation by transposing it to a new key, giving it a fresh feel.