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  1. AP Music Theory
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Glossary

A

Accompaniment

Criticality: 2

The background music that supports and enhances a main melody, solo, or soli, providing harmonic and rhythmic foundation.

Example:

A guitarist strumming chords while a singer performs the main tune is providing the accompaniment.

Alberti Bass

Criticality: 3

A repeating arpeggio pattern, typically found in keyboard music, that creates a continuous, rolling motion and provides harmonic accompaniment.

Example:

In a classical piano sonata, the left hand might play a gentle, broken chord pattern like C-G-E-G, creating an Alberti bass accompaniment for the right-hand melody.

C

Canon at the Octave

Criticality: 2

A type of canon where voices imitate the melody at an octave above or below the original voice.

Example:

If a cello plays a melody and then a violin immediately repeats it exactly, but an octave higher, they are performing a canon at the octave.

Canonical Music

Criticality: 3

A compositional technique where a melody is imitated by one or more voices in a staggered, overlapping manner, adhering to a strict formal structure.

Example:

A group of singers performing 'Row, Row, Row Your Boat' demonstrates canonical music, as each singer enters with the same melody at a different time.

Countermelody

Criticality: 3

A secondary melody played simultaneously with the main melody, adding interest, variety, and harmonic complexity.

Example:

While the lead singer performs the main vocal line, a flute might play a distinct, flowing melody above it, serving as a countermelody.

D

Doubling

Criticality: 2

A textural technique where multiple performers play or sing the same musical part, either exactly or at an octave, to create a fuller or richer sound.

Example:

When the flutes and oboes play the exact same melody together in an orchestra, they are using doubling to strengthen the melodic line.

F

Fugue

Criticality: 3

A polyphonic compositional form based on a single melodic subject that is imitated by multiple voices, each entering at a different time.

Example:

Bach's famous Toccata and Fugue in D minor features a distinctive main theme that is introduced by one voice and then taken up by others in succession.

I

Imitation Counterpoint

Criticality: 3

A polyphonic technique where one voice imitates the melody of another, either exactly or with variations, creating a call-and-response effect.

Example:

In a string quartet, the first violin might play a short melodic phrase, and then the second violin repeats a similar but slightly altered version, showcasing imitation counterpoint.

O

Ostinato

Criticality: 2

A short melodic or rhythmic phrase that is repeated over and over throughout a section of music, creating energy, momentum, or stability.

Example:

The persistent, repeating bass line in Ravel's 'Boléro' is a famous example of an ostinato that builds intensity throughout the piece.

R

Round

Criticality: 2

A type of canon where the melody is repeated by different voices at different times, with each voice starting the melody from the beginning.

Example:

Children singing 'Frère Jacques' where each group starts the tune after the previous one, creating a continuous loop, is a perfect example of a round.

S

Soli

Criticality: 2

A section in a musical piece where a small group of performers plays or sings together, often contrasting with a larger ensemble.

Example:

In an orchestral piece, the woodwind section might play a brief, unified melodic passage together, creating a soli effect before the full orchestra re-enters.

Solo

Criticality: 2

A performance by a single performer, often highlighted against an accompaniment.

Example:

A virtuosic pianist performing a concerto's cadenza is playing a solo passage, showcasing their individual skill.

T

Tutti

Criticality: 2

An Italian term meaning 'all' or 'everyone,' indicating a passage where all performers in an ensemble play or sing together.

Example:

After a quiet solo section, the conductor might cue the entire orchestra to play a loud, powerful chord, marking a tutti passage.

W

Walking Bass

Criticality: 3

A continuous, forward-moving bass line, often stepwise, that outlines the chord progression and is commonly used in jazz and blues.

Example:

A jazz bassist might play a steady, rhythmic line of quarter notes, moving smoothly from one chord tone to the next, creating a walking bass that propels the groove.