Minor Scales and Key Signatures, Melody, Timbre, and Texture

Given that F# minor is the relative minor of A major, which counterpoint technique would best highlight their relationship when transitioning from A major into F# minor?

If a piece modulates from G Major to its relative minor, what would be the new tonic note?

In what way could syncopation alter a listener’s perception of melody within a piece written in common time?

What degree of a major scale do we start on when building natural minor scales?

If a piece modulates from G major to its relative minor, which note would likely become more prominent as a tonal center?

For a complex baroque piece shifting between relative keys and employing modal mixture, which mode might be suggested by the presence of both Picardy third and tierce de Picardie within the coda?

If a piece modulates from G major to its relative minor key, what will be the new tonic chord?

Which major key has F# as its relative major?

Which scale would have a relative key signature with one flat?

What is the relative major of F# Minor?