Minor Scales and Key Signatures, Melody, Timbre, and Texture
Which non-harmonic tone involves holding a note into the next chord before descending to resolve?
What non-diatonic approach involving chromaticism could unexpectedly lead from an A Major prelude into its successive section in C# Phrygian during your original composition?
In tonal music, which harmonic function does not typically follow a predominant chord like IV or ii?
How does employing mixed-meter techniques affect listener perception when contrasting with previously established meters?
Which scale degree is the dominant in the A minor scale?
Which chord is typically used to pivot from the original key of C major to the closely related key of G major in a modulation?
When transitioning from V7/IV in C major to IV, what non-chord tone is created if the F in the V7/IV is held over as a common tone?
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If an accented dissonance occurs when a melody note temporarily replaces an expected chord note but resolves up or down by step, which term describes this occurrence?
What non-diatonic modulation technique would best maintain thematic continuity when shifting from E flat minor to B flat Lydian within a phrase?
Which non-diatonic chord can be used effectively when creating a secondary dominant in the key of A minor?