Triads and Seventh Chords
What quality does a triad have when it has a root note, a minor third, and a diminished fifth above it?
If a triad built on the fourth scale degree of a major key is altered by raising the fifth, what quality does the resulting chord have?
Which chord quality is outlined by the pitches C-Eb-G-A?
What is the result on tonality when a piece modulates from a minor key to its relative Major key?
What type of triad is formed by the notes C-E-G?
If you see the interval notation 'd7,' which interval quality does it represent?
How is an augmented triad formed in relation to its root note?
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In a minor key passage rich with secondary dominants designed to temporarily tonicize non-diatonic chords, which sequence would create the most dissonance before resolving back into consonance?
If you invert a G-B-D-F diminished seventh chord so that B is now the lowest pitch played first followed by rest of pitches upwards sequentially what type of inversion has occurred?
Which quality best describes an F#-A#-C# chord?