Triads and Seventh Chords
A full diminished seven chord in root position moves to its second inversion. What notes are now on top and bottom respectively?
What non-harmonic tone is created when a note steps up from the harmony, holds, and then resolves down by step to a chord tone?
Which time signature would indicate four half-note beats per measure?
How would you notate a second inversion dominant seventh chord using figured bass symbols?
What is the time signature of a piece where each measure contains three quarter notes?
If you are counting two quarter notes per measure, which time signature would be correct?
What technique would composers use to make transition between two very different keys less abrupt?
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What interval above the bass note do you expect when notating a fully-diminished seventh chord in third inversion?
If you see "V43" in Roman numeral analysis, which member of the seventh chord should be doubled when voicing it?
Which inversion of a seventh chord would typically resolve to an I chord with the leading tone in the soprano voice?