Chord Function, Cadence, and Phrase
When analyzing secondary dominant chords, which interval above tonic typically identifies this type of chord when it is functioning correctly?
When composing a melody in the style of the Common Practice Period, which note choice would be considered an error if it were used as the highest note of a phrase?
What identifies an ordered collection consisting entirely from consecutive semitones?
What type of non-harmonic tone occurs when a note is held over into the next chord before resolving down by step?
How does a C# diminished seventh (C#dim⁷) resolve typically within an A Major context?
What harmonic function does a Dm7 chord have in the key of F major?
When modulating from C major to G major in a composition, what chromatic inflection in a pivot chord could smoothly facilitate this modulation?
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In four-part voice leading, which chord member should be doubled when constructing a root position IV chord in major key to maintain proper balance?
Which non-chord tone is incorrectly resolved according to traditional voice leading rules?
If you ascend from D to F#, what interval have you created?