Chord Function, Cadence, and Phrase
What counterpoint rule would be violated if two voices moved together into an octave or fifth via similar motion from intervals other than another octave or fifth?
Which harmonic device most effectively creates tension requiring resolution within common-practice period harmony while maintaining proper voice-leading techniques?
When harmonizing a melody in SATB style, which scenario best avoids parallel fifths between soprano and bass voices?
What technical error occurs when two parts move parallel five steps apart towards cadence point within classical composition framework?
When composing a four-part fugue, which voice typically enters last with the subject?
What is the interval between C and E?
What interval would typically be avoided between two voices in adjacent chords due to its dissonance?
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When resolving a V7 chord in the key of C major, which note is most likely to move down by step to resolve the leading tone tendency?
Which note should be doubled when writing a root position triad in four-part harmony?
When harmonizing a melody in the key of C major, which chord should typically be avoided directly following the V chord to prevent parallel fifths?