Chord Progressions and Predominant Function
In a minor key, which harmonic function does the VI chord typically serve when it precedes the ii° chord?
Which harmonic progression would correctly use a vi chord in C Major following standard voice-leading rules?
What is one reason for substituting I with VI at a cadential point within harmonic progression?
Which functional behavior might be displayed by VI when used after V7 in a traditional tonal context?
When composing in C major, which set of notes would create a proper vi chord?
What voice leading error is most likely if an augmented sixth interval resolves outwards when moving from a French augmented sixth chord to a V7 chord?
When analyzing a piece in A minor where the F major chord (VI) moves directly to an E major chord (V), what is likely occurring harmonically?
How are we doing?
Give us your feedback and let us know how we can improve
What role does the VI chord play in modulation from one key to another within a piece written in C major?
In the key of C major, what is the interval between the tonic (C) and the note of the vi chord (A)?
In a minor key, what is the function of the VI chord when it precedes the ii° chord?