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Chord Inversions and Figures: Introduction to Figured Bass

Samuel Baker

Samuel Baker

6 min read

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Study Guide Overview

This study guide covers chord inversions (root position, 1st, and 2nd), figured bass (including symbols and alterations), basso continuo, and lead sheet symbols. It explains how to identify, write, and interpret these elements in musical notation. The guide also includes practical examples and tips for applying these concepts.

Music Theory Study Guide: Chord Inversions, Figured Bass, and Lead Sheets

Welcome! This guide is designed to help you confidently navigate chord inversions, figured bass, and lead sheet symbols. Let's get started!

Chord Inversions: Rearranging the Notes

Key Concept

Chord inversions involve rearranging the notes of a chord so that the bass note (the lowest note) is not the root.

  • Root Position: The root of the chord is in the bass. Think of it as the 'home base' of the chord.
  • Inversions: When a note other than the root is in the bass, we have an inversion.
    • 1st Inversion: The third of the chord is in the bass.
    • 2nd Inversion: The fifth of the chord is in the bass.

Chord Inversions

Caption: Visual representation of chord inversions. Note how the bass note changes in each inversion.

Figured Bass: The Baroque Code

Key Concept

Figured bass is a shorthand notation used in the Baroque era to indicate chord inversions.

  • It uses Arabic numerals below the bass line to represent intervals above the bass note.
  • It was crucial for improvisation and understanding harmonies in the Baroque period.

How Figured Bass Works

  • The numbers indicate the intervals above the bass note in a closed position (notes as close as possible).
  • Root Position: Usually no figures are written, or it is written as 5/3. Often just the Roman numeral is used (e.g., I).
  • 1st Inversion: Typically written as a 6 (e.g., I6). The 3 is usually omitted.
  • 2nd Inversion: Typically written as 6/4 (e.g., I6/4).
Quick Fact

Remember, the inversion depends solely on the bass note, not the order of the upper notes.

Figured Bass in Practice

  • Roman Numerals + Arabic Numerals: Combine Roman numerals (for the chord's function in the key) with Arabic numerals (for the inversion).

Figured Bass Example

Caption: Example of figured bass notation with Roman numerals.

Alterations in Figured Bass

  • Slash (/) or Plus Sign (+): Indicates that the pitch denoted by that figure should be raised a half step.
  • Accidentals (♭, ♯, ♮): Placed to the left of a figure, they alter the corresponding note. If alone, they alter the third above the bass.

Figured Bass Alterations

Caption: Examples of alterations in figured bass notation.

Basso Continuo: The Foundation

Key Concept

Basso continuo is a type of bass line that uses figured bass.

  • A bass instrument (e.g., cello) plays the bass line.
  • A keyboard instrument (e.g., harpsichord) provides chordal accompaniment based on the figured bass.
  • Realizing a figured bass means filling in the upper voices of the basso continuo.

Lead Sheet Symbols: Modern Shorthand

Key Concept

Lead sheet symbols use letter names and abbreviations to denote chords.

  • Capital Letter: Indicates the root of the chord (e.g., G for G major).
  • Lowercase 'm': Indicates a minor chord (e.g., Dm for D minor).
  • '+': Indicates an augmented chord (e.g., E+ for E augmented).
  • '°': Indicates a diminished chord (e.g., F#° for F# diminished).
  • Seventh Chords: Use combinations like Mm, mM, etc.

Lead Sheet Symbols

Caption: Examples of lead sheet symbols.

Lead Sheets in Practice

  • Simplified versions of music with melody, lyrics, and chords.
  • Common in jazz and popular music.
  • Provide a flexible framework for improvisation.

Exam Tip

Memory Aids

  • Root Position: Think of it as the 'base' or 'foundation' of the chord.
  • Inversions: Imagine the notes 'flipping' over, with a different note landing on the bottom.
  • Figured Bass: Visualize the numbers as 'intervals above the bass'.

Common Mistake

Common Mistakes to Avoid

  • Confusing the bass note with the root of the chord.
  • Misinterpreting figured bass symbols, especially alterations.
  • Forgetting that inversions depend on the bass note, not the order of the upper notes.

🦜 Polly's Progress Check Answer

For a 2nd-inversion subdominant chord in the key of F:

  • Figured Bass: IV6/4
  • Chord Spelling: Bb - Eb - G

Final Exam Focus

High-Priority Topics

  • Chord Inversions: Be able to identify and write chords in root position, 1st inversion, and 2nd inversion.
  • Figured Bass: Understand how to interpret and write figured bass symbols, including alterations.
  • Basso Continuo: Know its role and how to realize a figured bass.
  • Lead Sheet Symbols: Be familiar with common chord symbols and their meanings.

Common Question Types

  • Identifying chord inversions from notation.
  • Writing figured bass for given chords.
  • Realizing a figured bass line.
  • Analyzing chord progressions using Roman numerals and figured bass.
  • Interpreting lead sheet symbols.

Last-Minute Tips

  • Time Management: Quickly scan questions and prioritize those you know well.
  • Double-Check: Ensure you've correctly identified the bass note and applied alterations.
  • Stay Calm: Take deep breaths and trust your preparation. You've got this!

Good luck on your exam! You are well-prepared and ready to succeed. 🚀

Question 1 of 11

🚀 If a C major chord is in first inversion, which note will be the lowest (bass) note?

C

E

G

B