8 min read
This study guide covers predominant harmony in music theory, focusing on predominant triads (ii, IV) and seventh chords (ii7, IV7). It reviews triad function and inversions, the circle of fifths, and voice leading from predominant chords to the dominant (V7). It also includes practice questions and exam tips covering common progressions, chord identification, harmonization, and resolving tendency tones.
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Question 1 of 12
In a major key, which chord is like the 'setup' in a musical phrase, leading to the dominant?
I (Tonic)
iii
IV (Subdominant)
V (Dominant)