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Glossary

A

Alienation

Criticality: 3

A feeling of isolation or estrangement from society, a group, or oneself, often experienced by characters who feel disconnected from their surroundings.

Example:

The protagonist's sense of alienation is evident in their weariness of urban life and consumerism, feeling detached from the world around them.

Alusión (Allusion)

Criticality: 2

An indirect or subtle reference to a person, place, event, or literary work, often used to add depth or meaning without explicit explanation.

Example:

The poem's alusión to 'law clerks' and 'nuns' subtly references figures of authority and tradition, which the protagonist wishes to challenge.

Antítesis (Antithesis)

Criticality: 2

A rhetorical device that involves the juxtaposition of contrasting ideas or words, often in a balanced or parallel structure, to highlight their differences.

Example:

The poem uses antítesis by contrasting the protagonist's weariness with their intense desire for radical change.

Asíndeton (Asyndeton)

Criticality: 3

A rhetorical device where conjunctions are intentionally omitted from a series of words, phrases, or clauses, creating a sense of urgency or rapid flow.

Example:

The phrase 'no more stores, no gardens, no more goods' uses asíndeton to convey the protagonist's overwhelming desire to escape consumerism.

Authenticity

Criticality: 3

The quality of being genuine or real; in literature, it often refers to a character's search for their true self or a life free from pretense.

Example:

The protagonist's internal struggle in 'Walking Around' is largely driven by a yearning for authenticity beyond superficial societal expectations.

D

Disillusionment

Criticality: 3

A feeling of disappointment resulting from the discovery that something is not as good as one believed it to be, often a key theme in literature.

Example:

The protagonist's deep disillusionment with societal norms and materialistic pursuits drives their longing for authenticity.

E

Enumeración (Enumeration)

Criticality: 3

A rhetorical device that involves listing details, objects, or ideas in quick succession to create a cumulative effect or emphasize quantity.

Example:

The poem's enumeración of 'tailor shops, movie houses, barbershops' highlights the mundane and materialistic aspects of urban life.

Existential Angst

Criticality: 3

A profound feeling of dread, anxiety, or unease arising from the human condition, particularly the awareness of one's freedom and responsibility in a meaningless or absurd world.

Example:

The protagonist's contemplation of drastic actions and their weariness of life reflect a deep sense of existential angst.

I

Imagen (Imagery)

Criticality: 3

The use of vivid, descriptive language that appeals to the five senses, creating mental pictures and sensory experiences for the reader.

Example:

The imagen of 'water of wombs and ashes' evokes a powerful and unsettling sensory experience, blending life and decay.

P

Paradoja (Paradox)

Criticality: 2

A statement that appears self-contradictory but contains a deeper truth or insight upon closer examination.

Example:

The title 'Walking Around' itself presents a paradoja, suggesting a simple act while the poem explores profound and complex existential themes.

Polisíndeton (Polysyndeton)

Criticality: 3

A rhetorical device that involves the repeated use of conjunctions in a series of words, phrases, or clauses, often to create emphasis, rhythm, or a sense of accumulation.

Example:

The repetition of 'my' in 'my eyes, my shoes, my rage' through polisíndeton emphasizes the protagonist's personal connection to these elements and their internal turmoil.

Protagonist

Criticality: 2

The central character or leading figure in a literary work, who drives the plot and experiences the main conflict.

Example:

In 'Walking Around,' the protagonist is a weary individual seeking liberation from societal expectations.

S

Sinestesia (Synesthesia)

Criticality: 2

A literary device where sensory experiences are blended or described in terms of another sense, appealing to multiple senses simultaneously.

Example:

A poet might use sinestesia to describe a 'cold silence,' blending the tactile sensation of cold with the auditory experience of silence.

Símbolo (Symbol)

Criticality: 3

An object, person, or idea that represents something else, often an abstract concept, beyond its literal meaning.

Example:

The 'green knife' in 'Walking Around' serves as a símbolo for the protagonist's desire for radical change and liberation.

V

Verosimilitud (Plausibility/Realism)

Criticality: 2

The quality of appearing true, real, or probable; in literature, it refers to the believability of characters, events, and settings within the fictional world.

Example:

The verosimilitud of the protagonist's disillusionment makes their internal struggle relatable to a wide audience.

Verso libre (Free verse)

Criticality: 3

Poetry that does not adhere to a strict meter or rhyme scheme, allowing for a more natural and conversational flow.

Example:

Neruda's use of verso libre in 'Walking Around' allows the poem to mimic the protagonist's stream of consciousness.

Y

Yuxtaposición (Juxtaposition)

Criticality: 3

The act of placing two or more contrasting elements (characters, ideas, settings) side by side to highlight their differences and create a specific effect.

Example:

The yuxtaposición of 'water of wombs and ashes' places life and death side-by-side, emphasizing the protagonist's emotional numbness.