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Glossary

A

Ambigüedad (Ambiguity)

Criticality: 3

A literary device that creates uncertainty or allows for multiple interpretations, often blurring boundaries between concepts.

Example:

The ending of 'Don Quijote' leaves a sense of ambigüedad regarding the true nature of sanity and madness, prompting readers to ponder its meaning.

Autobiografía (Autobiography)

Criticality: 1

A literary genre where a person writes the story of their own life.

Example:

Frida Kahlo's paintings often served as a visual autobiografía, depicting her personal struggles and triumphs.

B

Borges (literary persona)

Criticality: 3

The exaggerated, public, and literary identity created by the author, distinct from his private self and embodying his published works.

Example:

The Borges (literary persona) is the celebrated author whose works are studied in universities, a figure almost separate from the man who writes them.

E

El proceso creativo (The creative process)

Criticality: 3

The series of steps or stages involved in generating new ideas and transforming them into a finished artistic work.

Example:

From brainstorming to final edits, el proceso creativo can be a messy but ultimately rewarding journey for any artist.

El ser y la creación literaria (Being and literary creation)

Criticality: 2

The interplay between an author's existence and the act of producing literary works, often exploring how one influences the other.

Example:

For many writers, el ser y la creación literaria are inseparable; their life experiences directly fuel their narratives and characters.

J

Jorge Luis Borges

Criticality: 3

An influential Argentine writer, poet, and essayist known for his imaginative and philosophical storytelling.

Example:

Students often find Borges's short stories, like 'El Aleph,' to be mind-bending and thought-provoking, showcasing the unique style of Jorge Luis Borges.

L

La creación literaria (Literary creation)

Criticality: 2

The process of artistic production, specifically the act of writing and forming literary works.

Example:

The painstaking process of drafting, revising, and editing is all part of la creación literaria for a novelist.

La dualidad del ser (The duality of being)

Criticality: 3

A central theme exploring the existence of two distinct, often conflicting, aspects within a single entity or individual.

Example:

Dr. Jekyll and Mr. Hyde perfectly illustrate la dualidad del ser, showing the struggle between good and evil within one person.

La imagen pública y la imagen privada (Public image and private image)

Criticality: 2

The contrast between how an individual is perceived by society and their true, inner self.

Example:

Many celebrities grapple with the tension between la imagen pública y la imagen privada, as their carefully constructed persona often differs from their personal reality.

La introspección (Introspection)

Criticality: 3

The act of self-examination and deep contemplation of one's own thoughts, feelings, and motives.

Example:

After a significant life event, many people engage in la introspección to understand their reactions and personal growth.

La literatura autoconsciente (Self-conscious literature)

Criticality: 2

Literature that is aware of its own status as a fictional construct, often commenting on its own form or the act of storytelling.

Example:

When a novel includes a character who is also writing a novel, it often becomes a piece of la literatura autoconsciente, reflecting on its own artistry.

M

Magical realism

Criticality: 2

A literary genre where magical or impossible elements are presented in a realistic or mundane setting, often exploring philosophical themes.

Example:

Gabriel García Márquez's 'Cien años de soledad' is a prime example of magical realism, where characters fly and ghosts interact with the living as if it were commonplace.

Metafiction

Criticality: 3

A literary device where a work of fiction self-consciously draws attention to its own fictional nature, often by breaking the fourth wall or discussing the act of writing.

Example:

When a character in a novel comments on the author's choices or the structure of the book itself, that's an instance of metafiction at play.

N

Narrador en primera persona (First-person narrator)

Criticality: 2

A narrative technique where the story is told from the perspective of 'I,' allowing direct insight into the narrator's thoughts and feelings.

Example:

In 'Lazarillo de Tormes,' the entire story unfolds through the eyes of the protagonist, making it a classic example of a narrador en primera persona.

P

Paradoja (Paradox)

Criticality: 3

A statement or situation that appears self-contradictory but reveals a deeper truth upon closer examination.

Example:

The phrase 'less is more' is a paradoja because it seems contradictory but conveys the idea that simplicity can lead to greater impact.

Perspectiva (Perspective)

Criticality: 2

The point of view from which a story is told, influencing how events and characters are perceived by the reader.

Example:

Understanding the perspectiva of the conquistadors versus the indigenous people is crucial when analyzing historical accounts of the Americas.

T

The "Yo" (Narrator)

Criticality: 3

In 'Borges y yo,' this represents the real-life Jorge Luis Borges, the personal self who experiences internal conflict and self-reflection.

Example:

The "Yo" (Narrator) in the essay struggles with the public perception of his literary fame versus his private, everyday existence.