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Glossary

B

Balance

Criticality: 3

The distribution of visual weight in a work of art, which can be symmetrical, asymmetrical, or radial.

Example:

The artist achieved asymmetrical balance by placing a large, dark shape on one side of the canvas and several smaller, lighter shapes on the other.

C

Color

Criticality: 3

The hue, saturation, and value of an object, used to evoke emotion, create emphasis, or define forms.

Example:

The vibrant color palette of blues and greens in the landscape painting conveyed a serene, natural environment.

Connection

Criticality: 2

How elements within a work of art are linked or related to each other, creating visual pathways or conceptual ties.

Example:

The subtle lines extending from one character to another in the drawing created a visual connection, suggesting their emotional bond.

Contrast

Criticality: 3

The difference between elements in a work of art, such as light and dark, rough and smooth, or large and small, used to create visual interest and impact.

Example:

The stark contrast between the jagged, dark mountains and the soft, bright sky intensified the dramatic mood of the landscape.

E

Elements of Design

Criticality: 3

The basic visual components or ingredients used to create a work of art, such as line, shape, color, and texture.

Example:

Understanding the Elements of Design helped the artist intentionally use strong diagonal lines and contrasting colors to create tension in their piece.

Emphasis

Criticality: 3

The focal point or area of interest in a work of art, drawing the viewer's attention to a specific element.

Example:

The bright red apple in the still life created a clear emphasis against the muted background, immediately catching the eye.

Experimentation

Criticality: 3

The process of trying out different materials, techniques, or ideas to discover new possibilities and solutions in art-making.

Example:

The student's portfolio clearly documented their experimentation with various printmaking methods, from linocut to monotype.

F

Figure/Ground Relationship

Criticality: 2

The interplay between the subject (figure) and its background (ground) in a composition, where one can sometimes reverse roles.

Example:

In the famous Rubin's Vase illusion, the figure/ground relationship allows the viewer to see either two faces or a vase, depending on perception.

Form

Criticality: 2

A three-dimensional object that has height, width, and depth, occupying space.

Example:

The sculptor transformed a block of marble into a graceful human form, emphasizing its volume and contours.

G

Guiding Question

Criticality: 3

The core artistic question or concept that drives a student's Sustained Investigation, providing focus and direction for their exploration.

Example:

Her Guiding Question for the SI was 'How can light and shadow reveal hidden emotions?', which she explored through a series of dramatic portraits.

H

Hierarchy

Criticality: 2

The arrangement of elements to show importance or order, guiding the viewer's eye through a visual ranking of information.

Example:

In the poster design, the large, bold title at the top established a clear hierarchy, immediately drawing attention to the main message.

I

Ideas

Criticality: 2

The concepts, themes, or messages that an artist explores and conveys through their artwork.

Example:

His series of photographs explored the ideas of memory and nostalgia, using faded colors and blurred imagery.

J

Juxtaposition

Criticality: 2

The placement of contrasting elements side by side to create a surprising, thought-provoking, or visually impactful effect.

Example:

The artist used juxtaposition by placing a delicate porcelain doll next to a rusty industrial gear, highlighting themes of innocence and decay.

L

Layer

Criticality: 2

A level of depth or distinct stratum within an image or object, often built up to create complexity or texture.

Example:

The mixed-media piece featured multiple layers of paint, fabric, and found objects, creating a rich, tactile surface.

Line

Criticality: 2

A path connecting two points, which can vary in thickness, direction, and texture to convey different feelings or forms.

Example:

The flowing, curved line in the sculpture suggested graceful movement, guiding the viewer's gaze around the form.

M

Materials

Criticality: 2

The physical substances or media used to create a work of art, such as paint, clay, paper, or digital software.

Example:

The artist chose unconventional materials like recycled plastic bottles and discarded electronics to construct their sculpture.

Movement

Criticality: 2

How the viewer's eye is guided through a work of art, often created by the arrangement of elements or implied action.

Example:

The swirling brushstrokes and diagonal lines in the painting created a strong sense of movement, making the scene feel dynamic.

O

Opacity

Criticality: 2

The degree to which light passes through an object or material, indicating how much it obscures what is behind it.

Example:

The thick acrylic paint had high opacity, completely covering the previous layers and creating a solid, flat surface.

P

Plane

Criticality: 2

A flat surface that can exist in two or three dimensions, often used to define boundaries or create a sense of depth.

Example:

In the architectural drawing, the artist emphasized the intersecting planes of the building's facade to show its complex structure.

Point

Criticality: 2

A single location in space, often serving as a starting or ending visual mark.

Example:

The artist used a tiny, bright red point in the vast blue canvas to immediately draw the viewer's eye.

Portfolio

Criticality: 3

A collection of an artist's best work submitted for evaluation in AP Art & Design, showcasing their artistic journey and skills.

Example:

For the AP exam, Sarah compiled her entire year's worth of artwork, including sketches and finished pieces, into her digital portfolio.

Practice

Criticality: 3

The demonstration of ongoing artistic development and skill refinement through repeated effort and application.

Example:

Her Sustained Investigation showed extensive practice through numerous preliminary sketches and studies of human anatomy.

Principles of Design

Criticality: 3

The rules or guidelines that dictate how artists organize and arrange the elements of design to create visual impact and meaning.

Example:

By applying the Principles of Design, the graphic designer ensured that the poster had a clear focal point and a balanced layout.

Processes

Criticality: 2

The methods, techniques, or steps involved in creating a work of art, such as carving, weaving, or digital rendering.

Example:

The detailed description of her processes explained how she layered glazes in her ceramic work to achieve a luminous finish.

Proportion

Criticality: 2

The relationship of sizes between different parts of a whole within a work of art, often related to realistic or idealized scales.

Example:

The artist intentionally distorted the proportion of the figure's hands, making them oversized to emphasize their expressive gesture.

R

Repetition

Criticality: 2

The recurrence of elements or motifs within a work of art, used to create rhythm, pattern, or unity.

Example:

The repetition of circular forms throughout the abstract painting created a sense of visual harmony and continuity.

Revision

Criticality: 3

The act of making changes or improvements to an artwork based on reflection, feedback, or new insights gained during the creative process.

Example:

The final painting was a result of significant revision, as the artist repainted the background multiple times to achieve the desired mood.

Rhythm

Criticality: 2

The repetition of elements to create a sense of movement, flow, or pattern, guiding the viewer's eye through the work.

Example:

The repeating arches in the architectural drawing created a visual rhythm that led the eye along the length of the building.

S

Scale

Criticality: 2

The size of an object or artwork in relation to its surroundings, other objects, or the human viewer.

Example:

The monumental sculpture, despite its small individual components, achieved an impressive scale that dominated the public plaza.

Selected Works

Criticality: 3

A section of the AP Art & Design portfolio consisting of five of the student's strongest individual pieces, showcasing their technical skills and artistic vision.

Example:

Among her Selected Works, Maya included a detailed charcoal portrait and a vibrant abstract painting, highlighting her versatility.

Shape

Criticality: 2

A two-dimensional enclosed area defined by lines or color, which can be geometric or organic.

Example:

The artist cut out various irregular shapes from colored paper to create a dynamic, abstract collage.

Space

Criticality: 2

The area around, within, or between elements in a work of art, which can be positive (occupied) or negative (empty).

Example:

The minimalist painting used large areas of empty space to create a sense of calm and focus on the single central figure.

Sustained Investigation (SI)

Criticality: 3

A section of the AP Art & Design portfolio that demonstrates a deep, year-long exploration of a specific artistic question or theme through 15 images and written statements.

Example:

Liam's Sustained Investigation explored the concept of urban decay, showing how his initial photographs evolved into mixed-media collages.

Synthesis

Criticality: 3

The effective combination and integration of materials, processes, and ideas to create a cohesive and meaningful artwork.

Example:

The strongest portfolios demonstrate a clear synthesis where the chosen medium and technique perfectly align with the artistic concept.

T

Technical Skills

Criticality: 3

The proficiency and mastery in handling materials and executing artistic processes within a chosen medium.

Example:

The detailed rendering of textures and accurate anatomy in his drawings showcased his exceptional technical skills in graphite.

Texture

Criticality: 2

The perceived surface quality of an object, which can be actual (tactile) or implied (visual).

Example:

The painter used thick impasto strokes to create a rough, visible texture on the canvas, making the tree bark appear realistic.

Time

Criticality: 2

The duration or sequence of events in a work of art, often implied through narrative, movement, or the viewer's experience.

Example:

The stop-motion animation used the element of time to show a flower blooming over several seconds, compressing a natural process.

Transparency

Criticality: 2

The degree to which an object or material allows light to pass through, revealing what is behind it.

Example:

The watercolor wash had a beautiful transparency, allowing the underlying pencil sketch to show through subtly.

U

Unity

Criticality: 3

How well all elements in a work of art work together to create a sense of wholeness, harmony, and completeness.

Example:

Despite using diverse materials, the artist achieved unity in the sculpture by repeating a specific geometric motif throughout the piece.

V

Value

Criticality: 3

The lightness or darkness of a color or tone, ranging from pure white to pure black.

Example:

The artist used a wide range of value in the charcoal drawing, from deep shadows to bright highlights, to create a sense of three-dimensionality.

Variety

Criticality: 3

The use of different elements or qualities within a work of art to add interest, prevent monotony, and create visual excitement.

Example:

The collage incorporated a wide variety of textures, from smooth magazine cutouts to rough sandpaper, to keep the viewer engaged.