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Glossary

A

Animal Motifs

Criticality: 2

Recurring designs or patterns featuring animals, often used in art to convey symbolic meanings related to nature, power, or sustenance.

Example:

The prevalence of animal motifs in prehistoric cave paintings suggests a deep connection between early humans and the natural world.

Anthropomorphic Stele

Criticality: 3

An upright stone slab carved with a human-like figure, often serving as a grave marker or commemorative monument.

Example:

The simple yet powerful form of an Anthropomorphic Stele from the Arabian Peninsula suggests its role in honoring ancestors or marking sacred spaces.

B

Beaker with Ibex Motifs

Criticality: 3

A ceramic vessel from Susa, Iran, characterized by its tall, bell-shaped form and stylized depictions of ibexes and geometric patterns.

Example:

The elongated neck and exaggerated horns of the ibex on the Beaker with Ibex Motifs demonstrate the artist's mastery of abstract design.

Bone

Criticality: 1

The rigid, connective tissue that makes up the skeleton of vertebrates, often carved or incised by prehistoric peoples.

Example:

Intricate patterns and animal figures were often etched into bone tools and ornaments, showcasing early artistic skill.

Bronze

Criticality: 2

An alloy primarily of copper, usually with tin as the main additive, known for its strength and durability, marking a significant technological advancement.

Example:

The development of bronze casting allowed for the creation of more complex tools, weapons, and sculptures during the Bronze Age.

C

Camelid Sacrum in the Shape of a Canine

Criticality: 3

A prehistoric artifact from Tequixquiac, Mexico, carved from a camelid sacrum bone to resemble a canine head.

Example:

The Camelid Sacrum in the Shape of a Canine exemplifies how early artists transformed natural materials into meaningful forms, possibly for spiritual use.

Carving

Criticality: 2

A subtractive sculptural technique where material is removed from a solid block to create a form.

Example:

The intricate details on a prehistoric Venus figurine were achieved through careful carving of bone or stone.

Charcoal

Criticality: 2

A black carbonaceous material obtained by heating wood in the absence of air, commonly used as a drawing and painting pigment.

Example:

The outlines of animals in Lascaux Cave were often sketched using charcoal before being filled in with other colors.

Clay

Criticality: 1

A natural, fine-grained earth material that is plastic when wet, allowing it to be molded and then hardened by drying or firing.

Example:

Early civilizations discovered that clay could be shaped into vessels for storage or figures for ritual, then fired in a kiln to make them durable.

Cross-hatching

Criticality: 1

A drawing technique that uses intersecting sets of parallel lines to create shading and depth.

Example:

While less common in early prehistory, later artists would use cross-hatching to give a sense of volume to their figures.

Cultural Diversity

Criticality: 2

The variety of human societies or cultures in a specific region or across the globe, reflected in their unique artistic expressions and practices.

Example:

Studying Global Prehistory highlights the immense cultural diversity of early human societies, each developing distinct artistic traditions based on their environment and beliefs.

E

Engraving

Criticality: 2

A technique where lines are incised into a surface using a sharp tool, often used for detailed imagery on bone, stone, or metal.

Example:

The delicate patterns on a prehistoric antler tool were created through precise engraving.

G

Gold

Criticality: 2

A precious, malleable, and non-corrosive yellow metal, highly valued for its beauty and often used for ceremonial objects and jewelry.

Example:

Elaborate burial masks and ritualistic vessels were often crafted from gold, signifying wealth and divine connection.

I

Ivory

Criticality: 1

A hard, white material from the tusks of elephants and other animals, prized for its smooth texture and carvable nature.

Example:

The delicate Venus of Hohle Fels, one of the earliest known figurative sculptures, was meticulously carved from ivory.

J

Jade

Criticality: 2

A hard, typically green or white, ornamental stone, highly valued in many ancient cultures for its beauty and perceived spiritual properties.

Example:

The durability and lustrous quality of jade made it a prized material for ritual objects and elite adornments in ancient China.

Jade Cong

Criticality: 3

A ritualistic object from ancient China, typically a hollow cylinder with a square outer section, often carved with intricate designs.

Example:

The precise craftsmanship of the Jade Cong reflects the Liangzhu culture's advanced understanding of material properties and their spiritual beliefs.

L

Lapita

Criticality: 2

An ancient culture of the Pacific, known for its distinctive pottery with intricate stamped and incised patterns, crucial for understanding Polynesian migration.

Example:

The distinctive pottery of the Lapita people provides archaeological evidence of their widespread maritime voyages and cultural exchange across the Pacific.

Liangzhu

Criticality: 2

A Neolithic culture in China, known for its sophisticated jade craftsmanship, particularly the production of cong and bi discs.

Example:

The Liangzhu culture's mastery of jade carving is evident in the intricate patterns and precise forms of their ritual objects.

M

Manganese

Criticality: 2

A metallic element, often found in mineral forms like manganese dioxide, which was used as a black pigment in prehistoric art.

Example:

The deep black details in some Paleolithic cave art were created using powdered manganese minerals.

Moche

Criticality: 2

An ancient civilization that flourished in northern Peru, known for its sophisticated pottery, metalwork, and monumental architecture.

Example:

The Moche culture produced highly detailed ceramic vessels depicting daily life, rituals, and mythological scenes.

Modeling

Criticality: 2

An additive sculptural technique where a soft, pliable material is built up and shaped to create a form.

Example:

Early ceramic figures were often created by modeling wet clay into desired shapes before firing.

O

Ochre

Criticality: 2

A natural earth pigment, typically yellow, brown, or red, composed of hydrated iron oxide, widely used in prehistoric cave paintings.

Example:

The vibrant red hues in many ancient cave paintings were achieved by grinding and applying ochre pigments.

P

Painting

Criticality: 2

The application of pigment to a surface to create an image, often seen in prehistoric cave art.

Example:

The vibrant bison and horses in the Altamira Cave are prime examples of prehistoric painting.

Pecking

Criticality: 1

A technique used in rock art where a harder stone is used to strike and remove small pieces from a rock surface, creating an image.

Example:

Many petroglyphs, like those found in the American Southwest, were created by pecking designs into dark rock surfaces to reveal lighter rock underneath.

Perspective

Criticality: 2

The representation of three-dimensional objects or spaces on a two-dimensional surface, creating an illusion of depth and distance.

Example:

Although not fully developed, some prehistoric cave paintings show early attempts at perspective by overlapping figures or varying their size.

Pottery Making

Criticality: 2

The process of forming objects from clay and then hardening them by firing, leading to durable ceramic wares.

Example:

Pottery making revolutionized food storage and cooking, allowing for more settled lifestyles and diverse culinary practices.

R

Relief

Criticality: 3

A sculptural technique where the sculpted elements remain attached to a solid background of the same material, projecting outwards.

Example:

The figures on an ancient Egyptian tomb wall are often depicted in relief, emerging slightly from the flat stone surface.

Ritualistic Purpose

Criticality: 3

The function of an artwork as part of a religious ceremony, spiritual practice, or sacred rite.

Example:

Many ancient masks were created with a ritualistic purpose, intended to be worn during ceremonies to connect with spirits or deities.

Rock

Criticality: 1

A natural, solid mineral material forming part of the surface of the earth, often used as a primary medium for prehistoric art.

Example:

Ancient artists utilized the natural caves and surfaces of rock formations to create enduring parietal art.

Running Horned Woman

Criticality: 3

A prominent rock painting from Tassili n'Ajjer, Algeria, depicting a female figure with horns, possibly a goddess or ritual participant.

Example:

The dynamic pose and elaborate headdress of the Running Horned Woman suggest a figure of great importance, perhaps a deity or shaman.

S

Shells

Criticality: 1

The hard, protective outer layer of mollusks, often used for adornment, tools, or as components in composite artworks.

Example:

Necklaces and bracelets adorned with polished shells suggest early forms of personal decoration and status symbols.

Silver

Criticality: 2

A precious, lustrous, white metallic element, often used alongside gold for decorative and ceremonial objects in later prehistoric periods.

Example:

Intricately hammered silver vessels were sometimes found in elite burials, indicating their high value and skilled craftsmanship.

Stele

Criticality: 3

An upright stone slab or pillar, typically carved or inscribed, used as a monument, grave marker, or to commemorate events.

Example:

The Code of Hammurabi is famously inscribed on a large basalt stele, serving as a public record of ancient laws.

Stippling

Criticality: 1

A drawing or painting technique that uses small dots to create an image, shading, or texture.

Example:

Some early rock art utilized stippling to create textured animal hides or subtle variations in tone.

Susa, Iran

Criticality: 2

An ancient city in Mesopotamia, a significant center for early urban development and artistic production, particularly known for its pottery.

Example:

Archaeological excavations at Susa, Iran, have revealed a rich history of early civilizations and their distinctive artistic styles.

Symbolic Purpose

Criticality: 3

The function of an artwork to represent or stand for something else, often an abstract idea, belief, or concept.

Example:

The use of animal imagery in prehistoric art often had a symbolic purpose, representing fertility, power, or the hunt.

T

Terra Cotta

Criticality: 2

A type of earthenware, a clay-based unglazed or glazed ceramic, typically brownish-red in color when fired, widely used for pottery and sculpture.

Example:

The ancient Greeks often used terra cotta for everyday vessels and small votive figures due to its availability and ease of working.

Terra Cotta Fragment

Criticality: 3

A piece of fired clay pottery, often decorated with intricate patterns or human-like faces, indicative of early ceramic traditions.

Example:

The intricate geometric designs on a Terra Cotta Fragment from the Lapita culture reveal their advanced pottery techniques and artistic conventions.