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  1. AP Art History
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Glossary

B

Bahram Gur Fights the Karg

Criticality: 3

A folio from the Great Il-Khanid Shahnama, a vibrant example of Persian manuscript painting depicting a legendary hero.

Example:

Bahram Gur Fights the Karg illustrates a dramatic narrative from the Persian epic, showcasing the dynamic composition and rich colors typical of Il'Khanid painting.

Basin (Baptistère de St. Louis)

Criticality: 3

A famous brass basin inlaid with gold and silver, created by Muhammad ibn al–Zain, showcasing exquisite Islamic metalwork.

Example:

The Basin (Baptistère de St. Louis) is notable for its complex figural scenes and calligraphic bands, despite its later use as a baptismal font.

Beating

Criticality: 1

A metalworking technique involving hammering metal to shape it, often used for creating vessels or armor.

Example:

A blacksmith might use beating to flatten and shape a piece of iron into a functional tool or decorative element.

C

Calligraphy

Criticality: 3

The art of beautiful handwriting, considered a sacred art form in Islamic cultures, used to record texts on various surfaces.

Example:

The pages of a Qur'an often feature exquisite calligraphy, transforming the written word into a visual masterpiece.

Casting

Criticality: 1

A sculptural process where a liquid material is poured into a mold, which then solidifies into the desired shape.

Example:

Many ancient Greek bronze statues were created through the lost-wax casting method, allowing for detailed and dynamic forms.

Ceramics

Criticality: 3

Art made from clay and other raw materials, hardened by heat, often used for utilitarian vessels and architectural decoration in West and Central Asia.

Example:

The vibrant blue and white pottery of the Ming Dynasty is a famous example of Chinese ceramics, prized for its delicate designs.

Chasing

Criticality: 1

A metalworking technique where the surface of a metal object is ornamented by indenting it with a hammer and various tools.

Example:

Delicate details on a silver chalice might be added through chasing, refining the design after the initial shaping.

Cobalt-on-white slip painting

Criticality: 2

A ceramic decoration technique where blue cobalt pigment is applied over a white slip (liquid clay coating) before glazing.

Example:

Many early Islamic ceramic bowls feature striking designs achieved through cobalt-on-white slip painting, creating a vibrant contrast.

E

Embossing

Criticality: 1

A technique used to create a raised or relief design on a surface, often metal, by pressing or hammering from the reverse side.

Example:

The decorative shield of the Sutton Hoo burial features elaborate animal motifs created through the embossing of metal.

F

Figural Works

Criticality: 2

Artworks that depict human or animal figures, often characterized by varied perspectives and patterned backgrounds in West & Central Asian art.

Example:

Persian miniature paintings often include detailed figural works that tell stories, with characters interacting within richly decorated settings.

G

Geometric & Vegetal Motifs

Criticality: 3

Decorative patterns composed of abstract shapes (geometric) or plant-based forms (vegetal), commonly found in West and Central Asian art.

Example:

The intricate tilework of the Alhambra palace is renowned for its stunning geometric & vegetal motifs, creating complex, repeating patterns.

I

Inlaying

Criticality: 2

A metalworking technique where pieces of one material are inserted into depressions in another material to form a decorative design.

Example:

The intricate patterns on the Basin (Baptistère de St. Louis) were created using inlaying of gold and silver into brass.

Islamic Art

Criticality: 3

A broad category of art produced in the Islamic world, characterized by an emphasis on calligraphy, geometric and vegetal patterns, and often avoiding figural representation in religious contexts.

Example:

The Dome of the Rock in Jerusalem is a prime example of early Islamic Art, featuring intricate mosaics and calligraphic inscriptions.

Iznik-tile work

Criticality: 2

A distinctive style of Ottoman ceramic tile production from Iznik, Turkey, known for its vibrant colors (especially cobalt blue, turquoise, and red) and floral motifs.

Example:

The interior of the Rüstem Pasha Mosque in Istanbul is famously adorned with exquisite Iznik-tile work, showcasing its characteristic floral designs.

L

Lusterware

Criticality: 2

A type of pottery or porcelain with a metallic, iridescent glaze, achieved by applying metallic oxides and firing in a reduction kiln.

Example:

Medieval Islamic lusterware often shimmered with golden or reddish hues, mimicking the appearance of precious metals.

M

Manuscript painting

Criticality: 3

The art of illustrating and decorating handwritten books, often featuring intricate scenes, borders, and calligraphy.

Example:

The Book of Kells is a celebrated example of medieval Irish manuscript painting, renowned for its elaborate illuminations.

Metalwork

Criticality: 3

The art of creating objects from metal, encompassing a wide range of functional and decorative items, prominent in West and Central Asia.

Example:

The ancient Scythians were master artisans of metalwork, crafting elaborate gold ornaments for their horses and personal adornment.

Mosaic-tile architecture

Criticality: 2

An architectural decoration technique using small, colored pieces of ceramic or glass (tesserae) to create intricate patterns or images on buildings.

Example:

The vibrant domes and iwans of the Shah Mosque in Isfahan are stunning examples of Persian mosaic-tile architecture.

P

Painting

Criticality: 2

The art of applying pigments to a surface, encompassing diverse forms like manuscript illustrations, wall decorations, and large cloth hangings (*thangkas*).

Example:

The vivid frescoes of Pompeii are a testament to Roman painting, depicting scenes from daily life and mythology on walls.

T

Textiles

Criticality: 2

Artworks made from woven fibers, including luxurious carpets, velvets, and tapestries, often signifying wealth and artistic skill in West and Central Asia.

Example:

The Bayeux Tapestry is a monumental example of medieval textiles, narrating historical events through embroidered scenes.

Thangkas

Criticality: 2

Large, scroll-like paintings on cloth, typically found in Himalayan Buddhist art, depicting deities, mandalas, or narratives.

Example:

A Tibetan monastery might display a vibrant thangka during religious ceremonies, used as a meditation aid or teaching tool.

The Ardabil Carpet

Criticality: 3

A masterpiece of Persian textile art, one of the world's oldest and largest Islamic carpets, known for its intricate design and symbolism.

Example:

The Ardabil Carpet features a central medallion and radiating patterns, believed to represent a dome and lamps, reflecting its original placement in a mosque.

Two-Dimensional Designs

Criticality: 2

Artworks that emphasize flat surfaces, lacking the illusion of depth, often seen in West and Central Asian art.

Example:

Many ancient Egyptian tomb paintings feature two-dimensional designs, where figures are shown in profile without perspective.

W

Wall painting

Criticality: 1

Art applied directly to walls or ceilings, often large-scale and integral to the architecture of a space.

Example:

The ancient Roman villas of Pompeii are famous for their extensive wall painting, depicting mythological scenes and landscapes.