Early European and Colonial American Art, 200–1750 CE
When did artists begin to use perspective to create an illusion of depth in their paintings?
Middle Ages
During the Renaissance
Ancient Egypt
Age of Enlightenment
Which best describes the purpose of stained glass windows in medieval churches?
To provide ventilation during services.
To enable private prayer sessions through isolation from the nave.
To demonstrate wealth and power of the church alone.
To teach biblical stories through imagery to an illiterate population.
How does Caravaggio's use of tenebrism in "The Calling of Saint Matthew" compare to the treatment of light and shadow in earlier Renaissance paintings?
There is no clear source of light, leading to a flattening of the composition.
It is less focused on creating spatial depth and more about uniform illumination.
The lighting is softer, with gentle transitions that downplay narrative elements.
It is more dramatic, using sharp contrasts to create depth and focus on the narrative.
What work from early European art would be essential to discuss secularism’s emergence during the transition from medieval to renaissance periods?
Chartres Cathedral Stained Glass
Merode Altarpiece (Central Panel)
Bayeux Tapestry
Ambrogio Lorenzetti’s “Allegory Of Good And Bad Government”
Which thematic subject is commonly found in the frescoes of early European Christian churches?
Royal family portraits
Mythological battles
Daily market life
Biblical stories
In what way does Gian Lorenzo Bernini’s "Ecstasy of Saint Teresa" represent a divergence from Classical sculpture traditions?
The sculpture relies heavily on frontal viewing just like traditional Classical sculptures.
Saint Teresa's figure adheres strictly to Classical proportions without any sense of movement or passion.
It incorporates theatricality and emotion over the restrained idealism prevalent in classicism.
It aligns with classical techniques through idealized forms and symmetrical balance.
What was an important way that Northern Renaissance art differed thematically from Italian Renaissance art?
Greater use of linear perspective in landscapes.
More frequent inclusion of non-religious subject matter.
Increased emphasis on domestic interiors and portraits.
A stronger focus on Greco-Roman mythology.

How are we doing?
Give us your feedback and let us know how we can improve
What symbolizes power and authority in many portraits of European monarchs?
A landscape background
Use of bright colors
A crown or scepter
The presence of domestic animals
Which artwork would best represent the theme of power and authority in an exhibition focusing on early European art, demonstrating the connection between religious influence and monarchial rule?
The Maestà by Duccio di Buoninsegna.
Melencolia I by Albrecht Dürer.
The School of Athens by Raphael.
The Arnolfini Portrait by Jan van Eyck.
Which motif would you most likely find in Islamic art from Spain during the Middle Ages?
Nordic runes
Geometric patterns
Christian iconography
Roman battle scenes