African Art, 1100–1980 CE

Incising

Impasto

Fresco

Chiaroscuro

Such integration denotes Roman cultural influence over Algeria due partly to imperial control asserting Rome’s dominance even in art forms.

This indicates equal bilateral exchange of aesthetic ideas suggesting close diplomatic relations without implying hegemonic power structures.

Depicts resistance against Roman occupation whereby local artists subvert Roman techniques and integrate hidden indigenous symbols.

The absence of indigenous motifs reflects complete cultural assimilation where native Algerian artistic identity is lost under Roman rule.

Changes over time in dyeing techniques and materials imported from Europe and Asia.

Impact of natural environment on the availability and selection of pigments for textile production.

Variations in color symbolism related to political hierarchy within different kingdoms.

Regional differences in color preferences for everyday clothing among various ethnic groups.

They function as legal standards for currency without additional cultural context.

They indicate individual socioeconomic status by showing personal achievements.

They illustrate wisdom by visually representing often-used sayings.

They are purely decorative without any relation to local philosophy.

To symbolize royal ancestry and features of the reigning queen mother.

To serve as communal vessels for water storage.

To identify marriage eligibility among females.

To act as guideposts/markers of boundaries between kingdoms.

Iconographic symbolism

Aesthetic autonomy

Utilitarian purpose

Abstract form

Contrast

Emphasis

Pattern

Balance

It shows that anyone could achieve leadership regardless of appearance.

Depicting rulers with idealized features to convey divine authority.

Depictions focus purely on physical likeness without conveying additional meanings.

The stylization implies a democratic system where communal decisions override singular leadership.

It suggests an emphasis on individuality or celebration of human form perhaps related to ideologies or governance.

Realistic depictions were likely easier for artisans given available technology than abstract styles.

The focus on realism may have been driven by outside influences demanding lifelike representations for trade purposes.

It indicates lesser spiritual importance attached to artwork, favoring aesthetic representation over symbolic meaning.

Indicates a primordial concept of time with no clear understanding of history

Signifies the maker's social status as an indicator of frequent craft production

Reflects the idea that past actions and reigns are endlessly connected to the present and future

Demonstrates a lack of creativity and innovation within the royal workshops