African Art, 1100–1980 CE

They are easily accessible and demonstrate humility.

They symbolize wealth, trade connections, and status.

They are lightweight and easy to transport during rituals.

They represent a connection to nature and the environment.

It is an idealized portrait meant to show the king's physical perfection.

It is a non-idealized sculpture with royal regalia, embodying the king's spiritual and political authority.

It is a mask worn during ceremonies to transform the wearer into the king.

It is a power figure activated by nails, representing the king's ability to enforce laws.

Stone

Wood

Adobe

Brass

To prevent it from being stolen by enemies.

To keep it clean and free from dirt.

To emphasize its sacredness and importance, as it is believed to contain the soul of the Ashanti nation.

To make it easier for the king to access during ceremonies.

Bundu Mask

Female (Pwo) Mask

Mblo Mask

Aka Elephant Mask

It is used to record trade agreements and economic transactions.

It is used to commemorate deceased rulers and their achievements.

It is used to help remember key elements of a story, with each bead/shell representing a story element.

It is used to represent the ideal physical characteristics of men and women in a society.

To serve as portraits of deceased rulers.

To house spirits that can be called upon for assistance.

To be worn during initiation ceremonies.

To record oral histories and traditions.

Great Zimbabwe

Wall Plaque from Oba's Palace

Great Mosque of Djenné

Sika Dwa Kofi (Golden Stool)

It is made of rare and valuable materials.

It resembles a granary, representing prosperity and abundance.

It is the tallest structure, representing military strength.

It is decorated with intricate carvings, representing artistic skill.

It is a religious ceremony led by the Imam.

It reinforces community bonds and shared responsibility.

It is a symbolic offering to the spirits.

It marks the beginning of the harvest season.