Theories and Interpretations of Global Contemporary Art

Grace Lewis
7 min read
Listen to this study note
Study Guide Overview
This study guide covers Unit 9: Global Contemporary (1980-Present), focusing on Bill Viola's The Crossing (video installation exploring life/death/transformation) and Christo and Jeanne-Claude's The Gates (large-scale environmental installation in Central Park). Key themes include experiential art, temporality, scale, and audience engagement. The guide also provides exam tips, practice questions (multiple-choice, short answer, and free response), and emphasizes comparing/contrasting these works.
#AP Art History: The Night Before 🌙
Hey! Let's get you totally prepped for tomorrow. We're going to break down two awesome artworks: Bill Viola's The Crossing and Christo and Jeanne-Claude's The Gates. Think of this as your final power-up before the exam. Let's do this!
#Unit 9: Global Contemporary (1980-Present)
This unit is a big deal, so let's make sure we nail it. We'll look at how these artists use different media and ideas to make us think about big stuff.
#The Crossing by Bill Viola

Bill Viola, The Crossing, 1996, video/sound © Bill Viola (photo: stunned, CC BY-NC-SA 2.0)
- What is it? A multi-screen video installation. Think of it as a super impactful movie, but in a gallery.
- Themes: 🌊 Life, death, and transformation – heavy stuff, but Viola makes it mesmerizing.
- Visuals:
- Four large projections of a man and a woman.
- They emerge from water and walk towards each other.
- Slow-motion = dreamlike and symbolic.
- Symbolism: Water = spiritual baptism or rebirth. It's like a visual poem about life's journey.
- Sound: Powerful score by Viola himself. It's designed to make you feel the art.
- Where to see it? MoMA (NYC), Hirshhorn (DC), Getty (LA), and more! It's a world traveler.
Viola uses video art to explore universal themes. Remember this: video + emotion = Viola.
#The Gates by Christo and Jean-Claude

How are we doing?
Give us your feedback and let us know how we can improve