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  1. AP Latin
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Glossary

A

Ablative Absolute

Criticality: 3

A grammatical construction consisting of a noun or pronoun in the ablative case with a participle (or sometimes an adjective/noun) that functions as a subordinate clause, often indicating time, cause, or condition.

Example:

Urbe capta, hostes discesserunt. (With the city captured, the enemies departed.)

Accusative Case

Criticality: 3

The grammatical case used for the direct object of a verb, the object of certain prepositions, or to indicate extent of space or duration of time.

Example:

Aeneas miratur molem. (Aeneas marvels at the mass.)

Adjective

Criticality: 2

A word that modifies a noun or pronoun, providing more information about its qualities or characteristics, and agreeing with it in case, number, and gender.

Example:

Romani erant viri fortes. (The Romans were brave men.)

Alliteration

Criticality: 2

The repetition of initial consonant sounds in words that are close to one another, creating a sonic effect and often emphasizing certain words.

Example:

Multum ille et terris iactatus et alto. (He was tossed much on lands and the deep.)

Anaphora

Criticality: 3

The repetition of a word or phrase at the beginning of successive clauses or lines for rhetorical emphasis and impact.

Example:

Non ignara mali, miseris succurrere disco. (Not ignorant of evil, I learn to help the wretched.)

Assonance

Criticality: 1

The repetition of vowel sounds within words that are close to each other, creating internal rhyme or a musical effect.

Example:

Fides in virtute est. (Faith is in virtue.)

Asyndeton

Criticality: 2

The omission or absence of a conjunction between parts of a sentence, often creating a sense of speed, urgency, or directness.

Example:

Veni, vidi, vici. (I came, I saw, I conquered.)

C

Comparative Adjective

Criticality: 2

An adjective form used to compare two things, indicating 'more [adjective]' or '[adjective]-er,' often ending in -ior/-ius.

Example:

Hic liber est melior illo. (This book is better than that one.)

G

Gerund

Criticality: 2

A verbal noun in Latin, typically ending in -ndum, -ndi, -ndo, or -ndō, used to express purpose or ongoing action.

Example:

Ars vivendi est difficilis. (The art of living is difficult.)

Gerundive

Criticality: 2

A verbal adjective in Latin, formed from the future passive participle, expressing necessity or obligation, often translated as 'must be [verbed].'

Example:

Carthago est delenda. (Carthage must be destroyed.)

H

Hyperbole

Criticality: 2

Exaggerated statements or claims not meant to be taken literally, used for emphasis or to create a strong impression.

Example:

Montes auri pollicetur. (He promises mountains of gold.)

I

Imagery

Criticality: 3

The use of vivid and descriptive language that appeals to the senses, creating mental pictures and sensory experiences for the reader.

Example:

The poet describes the 'florea rura' (flowery fields) to evoke a sense of natural beauty and abundance.

Impersonal Verb

Criticality: 1

A verb that has no specific subject and typically appears in the third person singular, often expressing general states or conditions like weather.

Example:

Pluit. (It is raining.)

Indicative Mood

Criticality: 3

The verb mood used to express factual statements, questions, or strong assertions, representing actions or states as real or certain.

Example:

Sol lucet. (The sun shines.)

Infinitive

Criticality: 2

The basic, unconjugated form of a verb, often translated as 'to [verb],' which can function as a noun or complete another verb.

Example:

Est facile dicere, difficile facere. (It is easy to say, difficult to do.)

Irony

Criticality: 2

A literary device where the intended meaning is different from the literal meaning, often creating a humorous, critical, or poignant effect.

Example:

Aeneas, seeing the bustling city, exclaims, 'O fortunati!' while he himself is still a wanderer, highlighting the irony of his situation.

L

Litotes

Criticality: 2

An understatement in which an affirmative is expressed by the negation of its opposite, often for emphasis or ironic effect.

Example:

Non ignara mali. (Not ignorant of evil = very familiar with evil.)

M

Metaphor

Criticality: 3

A figure of speech that directly compares two unlike things without using 'like' or 'as,' stating one thing *is* another to create a deeper meaning.

Example:

Vita est bellum. (Life is war.)

Metonymy

Criticality: 2

A figure of speech in which a thing or concept is referred to by the name of something closely associated with that thing or concept.

Example:

Arma virumque cano. (Arms and the man I sing. 'Arms' stands for warfare.)

N

Number (of verbs/nouns)

Criticality: 3

A grammatical category that indicates whether a word refers to one (singular) or more than one (plural) entity, affecting verb conjugation and noun declension.

Example:

The verb 'surgunt' is plural in number because it agrees with 'moenia' (walls), which is plural.

O

Onomatopoeia

Criticality: 1

The formation of a word from a sound associated with what is named, or the use of words that imitate the sounds they denote.

Example:

Serpentes sibilant. (The snakes hiss.)

P

Participle

Criticality: 3

A verbal adjective that shares characteristics of both verbs and adjectives, indicating action or state while modifying a noun.

Example:

Miles pugnans fortiter cecidit. (The soldier, fighting bravely, fell.)

Past Participle

Criticality: 3

A verbal adjective that indicates a completed action, often used in passive constructions or ablative absolutes, typically ending in -tus, -sus, or -xus.

Example:

Puella amāta laeta erat. (The loved girl was happy.)

Personification

Criticality: 2

A poetic device that attributes human qualities, emotions, or actions to inanimate objects, animals, or abstract ideas.

Example:

Fortuna caeca est. (Blind Fortune.)

Polysyndeton

Criticality: 2

The repeated use of conjunctions (like 'et' or 'aut') in close succession, often to create a sense of abundance, emphasis, or a slow, deliberate pace.

Example:

Et mare et terrae et caelum. (And the sea and the lands and the sky.)

R

Repetition

Criticality: 2

The recurrence of words, phrases, or lines for emphasis, to create a particular rhythm, or to highlight a theme.

Example:

Currite, nautae, currite! (Run, sailors, run!)

S

Simile

Criticality: 3

A direct comparison between two unlike things using words like 'qualis' (just as), 'ut' (as), or 'velut' (just as), to make a description more vivid.

Example:

Miles pugnavit sicut leo. (The soldier fought like a lion.)

Subject

Criticality: 3

The noun or pronoun that performs the action of the verb or is described by the verb, typically in the nominative case.

Example:

In 'Aeneas miratur molem,' Aeneas is the subject performing the action of marveling.

Subjunctive Mood

Criticality: 3

A verb mood used to express possibility, desire, hypothetical situations, or indirect commands, often indicating a non-factual or potential action.

Example:

Utinam veniat! (If only he would come!)

V

Verb Tense

Criticality: 3

A grammatical category that indicates the time at which an action or state occurs, such as present, past (perfect, imperfect, pluperfect), or future.

Example:

In 'Aeneas miratur molem,' the verb is in the present tense, showing an ongoing action.