Vergil, Aeneid, Book 1

The theme of divine opposition and its impact on human endeavors is highlighted by Juno's scheming.

The inevitability of fate irrespective of divine preference plays out through her inability to change destiny.

Juno exemplifies unconditional support for Trojans which is a consistent theme across this book.

The benevolent nature of all Olympian deities reflected in Juno’s character remains constant throughout Book 1.

It highlights the gods' indifference towards human endeavors and suffering.

It illustrates the gods' preference for diplomacy over direct engagement in mortal affairs.

It exemplifies the gods' alignment with Roman values over personal whims.

It underscores the capricious nature of gods that affects human fate.

It mirrors Ovid's use of personification to animate natural elements in his 'Metamorphoses.'

It aligns with Cicero's rhetorical personifications of abstract concepts in his oratorical works.

It contrasts with Caesar's straightforward military reports devoid of such literary devices in 'Commentarii de Bello Gallico.'

It reflects Lucretius' anthropomorphic representations of atoms interacting in 'De Rerum Natura.'

He utilizes similes to demonstrate conventional guest-friendship obligations.

He uses personification to highlight differences in ritual practices involving guests.

He applies metaphors to emphasize cultural similarities between Trojans and Carthaginians.

He employs juxtaposition to idealize Dido’s generosity against traditional expectations.

Personification

Onomatopoeia

Assonance

Alliteration

It detracts from his leadership qualities by focusing on material wealth instead of virtues.

It emphasizes his vulnerability by showing reliance on ornate protection.

It highlights his heroic nature by likening him to mythological figures who also bore significant emblems.

It underscores the idea that he is disconnected from the practicalities of warfare.

The iambus

The spondee

The trochaicum

The pyrrhic

Amata

Dido

Lavinia

Camilla

The repetitious sounds create a lyrical quality distracting from Dido's woes and highlighting her status.

Alliteration draws attention to words that underscore Dido's uncertainty about welcoming Trojans and her concealed vulnerability despite outward strength.

Alliterative phrases emphasize Dido's decisive leadership abilities, showcasing confidence.

They imbue the narrative with rhythmic momentum, propelling the story forward with vibrancy and vitality.

Diana

Venus

Juno

Minerva