All Flashcards
In B Major, what is vii°⁷/IV?
D#-F#-A♮-C♮
In B Major, what is viiø⁷/IV?
D#-F#-A♮-C#
What is the function of F#-A-C-E in C major?
vii°⁷/V
What is the harmonic function of vii°/V?
Tonicizes the dominant.
How does V-vii°/vi-vi function?
V to vii°/vi has common tones; vii°/vi to vi sounds more conclusive.
What is the function of ascending seconds sequences using secondary leading tone chords?
Modulation to distantly related keys.
In C major, analyze: V⁷ - I⁶₄ - iiø⁶₅ - vii°⁷/V
Dominant 7th, tonic 6/4 (passing), pre-dominant, secondary leading tone to V.
What is the function of a I⁶₄ chord?
Often a passing or cadential chord.
What is the Roman numeral analysis of a deceptive cadence in A minor?
V - VI
What is the Roman numeral analysis of a perfect authentic cadence in A major?
V - I
When analyzing a deceptive cadence with tonicization (V-vii°/vi-vi), what key is vii°/vi in?
The key of vi.
What is the function of a secondary leading tone chord in a deceptive cadence?
To create a stronger pull to the deceptive resolution.
How do harmonic sequences facilitate modulation?
By creating a series of tonicizations.
What should you always do with the leading tone in secondary leading tone chords?
Raise it to emphasize the pull to the temporary tonic.
Should you use half-diminished 7th chords in minor keys?
No, use vii°⁷ instead.
Why should you avoid root position vii°⁷ chords?
Generally not considered good practice in 18th-century voice leading.
What is the typical resolution of the chordal seventh?
Resolves downwards by step
What is the typical resolution of the leading tone?
Resolves upwards by step
What is the best way to approach voice leading with secondary leading tone chords?
Follow all regular voice-leading rules, but in the temporary key.
What is the intervallic relationship between the bass and soprano in a root position vii°⁷ chord?
Diminished fifth
How should common tones be handled in voice leading?
Retain them in the same voice.
What is parallel motion?
Two voices moving in the same direction by the same interval.
Why is it important to avoid parallel fifths and octaves?
They weaken the independence of the voices.