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  1. AP Music Theory
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Secondary Function

Question 1
Music TheoryAPConcept Practice
1 mark

Which characteristic is MOST indicative of a secondary leading tone chord?

Question 2
Music TheoryAPConcept Practice
1 mark

Which of the following Roman numeral notations represents a half-diminished seventh chord built on the leading tone of IV in the key of F major?

Question 3
Music TheoryAPConcept Practice
1 mark

Which of the following is generally NOT recommended when part-writing secondary leading tone chords?

Question 4
Music TheoryAPConcept Practice
1 mark

In a V-vii°/vi-vi progression, what is the function of the vii°/vi chord?

Question 5
Music TheoryAPConcept Practice
1 mark

In a V-vii°/vi-vi progression, what makes the resolution to vi sound more conclusive compared to a typical V-vi progression?

Question 6
Music TheoryAPConcept Practice
1 mark

In a complex musical excerpt, you identify a series of secondary leading tone chords that ultimately lead to a modulation to a distantly related key. Which of the following analytical approaches would be MOST appropriate for understanding this modulation?

Question 7
Music TheoryAPConcept Practice
1 mark

In C major, which chord represents vii°⁷/V?

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Question 8
Music TheoryAPConcept Practice
1 mark

In the key of E major, construct a vii°⁷/vi chord.

Question 9
Music TheoryAPConcept Practice
1 mark

A musical excerpt in C major modulates to D minor using a harmonic sequence involving secondary leading tone chords. Which of the following chords would MOST likely be found in this sequence?

Question 10
Music TheoryAPConcept Practice
1 mark

In the key of D major, what chord is being tonicized by the secondary leading tone chord A#-C#-E-G?