Pitch, Major Scales and Key Signatures, Rhythm, Meter, and Expressive Elements
How would you describe a shift from D minor to F major within a musical composition?
If you are modulating from G major to D major in a composition, what is the pivot chord you could use that naturally occurs in both keys?
Which non-diatonic secondary function often precedes the dominant chord in a major key to intensify the resolution to tonic?
In constructing a harmonic progression that modulates to the relative minor of the original key without using accidentals in the key signature, what would be the starting and ending key signatures if you begin in C Major?
Which correctly identifies compound interval made sharp fourth augmented fourth plus perfect fifth such found dominant seventh chords?
If a composer modulates from D major to B minor within a passage, which pitch is most likely to be altered in the key signature?
An ascending melodic line moves sequentially through these pitches starting on F#: G#, A#, B, C#, D, E, F#. What key with four sharps best fits these notes?
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What interval is formed between A natural and E natural?
What interval above the root does the leading tone move when resolving to tonic within a V-I cadence in any given key signature?
What secondary dominant chord leads most appropriately to IV chord in A flat major?