Pitch, Major Scales and Key Signatures, Rhythm, Meter, and Expressive Elements
In a piece that modulates from C major to G major, which scale degree in C major becomes the tonic in G major?
Given a composition where every other bar switches between 3/4 and 6/8 time signatures, what effect might this have on the piece's rhythmic feel?
How would the hyphenated beat groupings for be realistically notated in a musical example where quintuplets are involved?
In a complex piece transitioning between various meters, which time signature change would likely be most challenging to perform accurately?
What does the bottom number of a time signature represent?
In a complex fugue subject containing syncopation and hemiola within a compound time signature, what instruction would best help performers maintain clarity in articulation?
What kind of meter is present in music with a time signature?
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What is an example of hemiola commonly found in sixteenth-century music within the context of modern meter interpretation?
If a piece of music begins with an anacrusis in 3/4 time, how does this affect the note values in the first full measure?
What is the first beat of every measure known as?