Chord Function, Cadence, and Phrase
In the following excerpt, the soprano and bass voices move from G4 to D5 and C3 to G3, respectively. How can this be corrected to avoid parallel fifths?
In the key of C major, a B4 in the soprano voice is followed by a C5. Is this correct?
In four-part writing, which note of a triad should generally be doubled?
In which direction should a chordal seventh typically resolve?
In four-part writing, which type of motion involves voices moving in the same direction by different intervals?
Identify the type of motion between the following two chords: Chord 1 (C-E-G-C), Chord 2 (D-F-A-D). Soprano moves C to D, Alto moves E to F, Tenor moves G to A, Bass moves C to D.
In a major key, how should the leading tone typically resolve?
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What is the primary difference between a Perfect Authentic Cadence (PAC) and an Imperfect Authentic Cadence (IAC)?
A D-F-A-C chord progresses to a G major chord (G-B-D). The 'C' note in the alto voice moves to 'B'. Is this correct?
Which of the following best describes parallel fifths?