Chord Function, Cadence, and Phrase
In four-part writing, which type of motion involves voices moving in the same direction by different intervals?
Identify the type of motion between the following two chords: Chord 1 (C-E-G-C), Chord 2 (D-F-A-D). Soprano moves C to D, Alto moves E to F, Tenor moves G to A, Bass moves C to D.
Which of the following best describes parallel fifths?
Which of the following examples contains parallel fifths? (Assume correct voice leading in other aspects)
In the following excerpt, the soprano and bass voices move from G4 to D5 and C3 to G3, respectively. How can this be corrected to avoid parallel fifths?
In a major key, how should the leading tone typically resolve?
In the key of C major, a B4 in the soprano voice is followed by a C5. Is this correct?
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In four-part writing, which note of a triad should generally be doubled?
In a G major chord (G-B-D) in SATB, which voice has been doubled if the voicing is G2-D3-G4-B4?
Given the chord progression I-IV-V in C major, which note would be the best to double in the IV chord (F-A-C) if the previous chord had doubled the root and smooth voice leading is desired?