Chord Function, Cadence, and Phrase
What best describes proper voice leading involving sevenths?
In a four-part choral setting, if the soprano voice sings a note that resolves by step to a chord tone on the next beat, what non-harmonic tone is being used?
When writing a viio65/V in a minor key, what accidental must be included to ensure correct resolution and function?
When analyzing four-part harmony, which type of non-chord tone remains stationary while surrounding voices change chords?
Which scale includes a pattern of whole steps and half steps in the order of W-H-W-W-H-W-W?
What issue arises when using second inversion fully diminished seventh chords outside the context of direct modulation to related keys?
When resolving a V7 chord to a I chord in four-part harmony, which voice should typically move to the root of the tonic triad if the leading tone is in an inner voice?
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What advanced rationale defends irregular resolutions like a moving directly into instead of based on historical practice?
When resolving a V7 chord in root position within a harmonic progression, which note typically moves down by step to resolve the leading tone?
What is another name for Ionian mode which corresponds to playing from C to C on white keys only?