Chord Progressions and Predominant Function
When composing a passage in the style of the Classical period that concludes with a cadential 6/4 chord, which non-chord tone is most appropriately added to the bass voice on the dominant to create tension before resolving to tonic?
In a piece of music that modulates from the key of C major to G major, which chord is typically used as the pivot chord?
During analysis what stepwise motion in soprano voice would you expect after traditional cadence featuring consecutive progression through chords IV-I-V-I?
What structure typifies a cadential sixth-four chord progression?
What interval does the numeral "6" represent in cadential "I64" chords?
In a cadential 6/4 chord progression, which scale degree is typically doubled in the tonic (I) chord that precedes the V chord?
What consequence did the prolonged use of the cadential six-four harmony have on the musical form of classical period compositions, especially sonata allegro forms?
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When notating a I64 chord, which member of the triad should be doubled?
In which context would you most likely encounter a Cadential 6/4 progression?
How does voice leading typically proceed from a cadential I64 chord to V7 in four-part harmony?