Chord Progressions and Predominant Function
In a cadential 6/4 chord progression, which scale degree is typically doubled in the tonic (I) chord that precedes the V chord?
What consequence did the prolonged use of the cadential six-four harmony have on the musical form of classical period compositions, especially sonata allegro forms?
In which context would you most likely encounter a Cadential 6/4 progression?
In crafting an extended coda for your composition after establishing Tonic prolongation through sequencing tertiary major-minor seventh chords over descending bass lines what nuanced role can diminished seventh chords play when working towa...
How is the dissonance typically treated in a cadential I⁶₄ chord?
In a piece of music that modulates from the key of C major to G major, which chord is typically used as the pivot chord?
What structure typifies a cadential sixth-four chord progression?
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How does voice leading typically proceed from a cadential I64 chord to V7 in four-part harmony?
When composing a passage in the style of the Classical period that concludes with a cadential 6/4 chord, which non-chord tone is most appropriately added to the bass voice on the dominant to create tension before resolving to tonic?
During analysis what stepwise motion in soprano voice would you expect after traditional cadence featuring consecutive progression through chords IV-I-V-I?