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Glossary

A

Ancestor veneration

Criticality: 2

The custom of revering deceased ancestors, often involving rituals and offerings, based on the belief that they can influence the living.

Example:

The faces on the Jade Cong are believed to represent ancestors, suggesting a practice of ancestor veneration among its creators.

Animalistic

Criticality: 1

Possessing characteristics or qualities associated with animals, often referring to features that are not purely human.

Example:

The horns on the Running Horned Woman give her an animalistic appearance, suggesting a connection to the natural world or spiritual beings.

Anthropomorphic

Criticality: 2

Attributing human characteristics or forms to non-human entities, such as animals, objects, or deities.

Example:

The Anthropomorphic Stele depicts a figure that is human-like but not fully human, making it an anthropomorphic representation.

B

Bronze Age

Criticality: 2

A prehistoric period characterized by the use of bronze, an alloy of copper and tin, for tools and weapons, following the Stone Age.

Example:

Stonehenge was built during the Bronze Age in England, a period of significant technological and social development.

D

Deities

Criticality: 1

Gods or goddesses; divine beings worshipped in a religion.

Example:

The circular patterns and lines on the Jade Cong might represent the faces of deities, connecting the object to spiritual beliefs.

Dentate stamping

Criticality: 2

A decorative technique involving pressing a tool with a toothed or serrated edge into a soft surface, such as clay, to create a pattern.

Example:

The anthropomorphic images on the Terra-Cotta Fragment were created using dentate stamping, leaving distinct impressions on the surface.

Dualism

Criticality: 1

The concept that reality or existence is composed of two fundamental, often opposing, principles or forces.

Example:

The two faces on the Tlatilco Female Figurines might symbolize dualism, representing opposing forces or aspects of existence.

F

FFCCs

Criticality: 3

An acronym in AP Art History standing for Form, Function, Content, and Context, used as a framework to analyze artworks.

Example:

When analyzing the Great Hall of Bulls, students must consider its FFCCs to understand why ancient people painted animals deep inside a cave.

Funerary

Criticality: 3

Relating to a funeral or the commemoration of the dead. Funerary objects are items placed in graves or associated with burial rituals.

Example:

The Bushel with Ibex Motifs served a funerary function, buried with the deceased to accompany them in the afterlife.

G

Geometric

Criticality: 2

Characterized by or composed of straight lines, circles, or regular shapes, as opposed to organic or natural forms.

Example:

The linear necks of the birds in the Bushel with Ibex Motifs contrast with the curved horns of the ibex, showcasing geometric designs.

I

Incised

Criticality: 2

To cut or carve a design or inscription into a surface.

Example:

The Terra-Cotta Fragment is decorated with incised lines, created by cutting into the clay surface before firing.

M

Motifs

Criticality: 2

A recurring dominant idea, design, or feature in an artistic work.

Example:

The Bushel with Ibex Motifs is adorned with repeated animal motifs, including the prominent ibex.

N

Neolithic

Criticality: 2

Refers to the New Stone Age, a prehistoric period marked by the development of agriculture, settled communities, and the domestication of animals.

Example:

The Bushel with Ibex Motifs was created during the Neolithic period, reflecting the settled agricultural society of Susa.

Nomadic

Criticality: 2

Describing a lifestyle where people move from place to place, typically in search of food, water, or pasture for livestock, rather than settling permanently.

Example:

The portability of the Apollo 11 Stones aligns with the nomadic lifestyle of the hunter-gatherer societies that created them.

P

Paleolithic

Criticality: 2

Refers to the Old Stone Age, a prehistoric period characterized by the development of the earliest stone tools and a hunter-gatherer nomadic lifestyle.

Example:

The Apollo 11 Stones are a prime example of art from the Paleolithic era, reflecting the mobile nature of its creators.

Pestle

Criticality: 1

A tool with a rounded end, used for crushing or grinding substances in a mortar.

Example:

The Ambum Stone, while possibly religious, may also have functioned as a pestle for grinding food or pigments.

Pictograph

Criticality: 2

A pictorial symbol for a word or phrase, or a drawing representing an object or idea.

Example:

The Running Horned Woman is a pictograph, conveying meaning through its visual representation rather than written language.

Post-and-lintel

Criticality: 3

A basic architectural system consisting of vertical elements (posts) supporting horizontal elements (lintels).

Example:

Stonehenge is a monumental example of post-and-lintel construction, where massive vertical stones support horizontal ones.

Profile perspective

Criticality: 2

A view of an object or figure from the side, showing only one side of the face or body.

Example:

The Running Horned Woman is depicted in profile perspective, a common artistic convention in prehistoric art.

R

Ritual scarification

Criticality: 1

The practice of creating scars on the body for aesthetic, social, or spiritual reasons, often as part of a rite of passage or religious ceremony.

Example:

The white dots covering the Running Horned Woman might represent body paint or ritual scarification, indicating a ceremonial context.

S

Sacrum

Criticality: 1

A triangular bone at the base of the spine, formed by the fusion of several vertebrae. In some cultures, it held symbolic or sacred significance.

Example:

The Camelid Sacrum in the Shape of a Canine derives its name from the specific bone, the sacrum, used as its artistic medium.

Stratification of labor

Criticality: 2

The division of work and responsibilities within a society, often based on factors like gender, age, or social status.

Example:

In the Great Hall of Bulls, the depiction of women gathering and men hunting suggests an early form of stratification of labor by sex.

Superimposed

Criticality: 2

Placed or laid over something else, often creating layers of images or designs.

Example:

The numerous animal figures in the Great Hall of Bulls are superimposed, indicating that the cave was used repeatedly over a long period.

Symbolic

Criticality: 2

Representing or standing for something else, often an abstract idea, quality, or concept.

Example:

The clothing and accessories of the Running Horned Woman are likely symbolic, conveying deeper meanings about her identity or role.

T

Therianthrope

Criticality: 2

A figure that combines human and animal forms, often found in prehistoric art and associated with shamanistic beliefs.

Example:

The mysterious figure in the Apollo 11 Stones might be a therianthrope, suggesting a spiritual connection between humans and animals.