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Glossary

A

Ablative Absolute

Criticality: 3

A grammatical construction consisting of a noun or pronoun and a participle (or adjective/noun) in the ablative case, grammatically independent from the rest of the sentence, often indicating time, cause, or circumstance.

Example:

Urbe capta, the city having been captured, the Trojans fled in despair.

Alliteration

Criticality: 2

The repetition of initial consonant sounds in words that are close together, creating a musical or emphatic effect.

Example:

The harsh 'c' sound in incertam excussit cervice securim is an example of alliteration, emphasizing the violent action.

D

Deception

Criticality: 3

The act of misleading or tricking someone, often through lies or false appearances.

Example:

Sinon's elaborate lies about the Trojan Horse were a masterful act of deception, leading the Trojans to their doom.

Divine Intervention

Criticality: 3

The involvement of gods or deities in human affairs, often to influence outcomes or reveal their will.

Example:

Minerva's role in sending the snakes to Laocoon is a clear example of divine intervention, punishing him for his impiety.

Dramatic Irony

Criticality: 3

A literary device where the audience or reader knows more about the circumstances or future events than the characters in the story.

Example:

The Trojans' celebration as they bring in the horse, while the audience knows it contains their doom, is a classic example of dramatic irony.

F

Fate

Criticality: 3

The predetermined course of events, often seen as inevitable and controlled by a higher power or destiny.

Example:

Despite their efforts, the fall of Troy was sealed by fate, a destiny the gods had long ordained.

I

Imagery

Criticality: 3

The use of vivid and descriptive language to create mental pictures or sensory experiences for the reader.

Example:

Vergil's description of the snakes' coils around Laocoon uses powerful imagery to evoke horror.

J

Juxtaposition

Criticality: 3

A literary technique where two or more ideas, places, characters, or actions are placed side by side for the purpose of developing comparisons and contrasts.

Example:

The juxtaposition of the joyful Trojan children and the deadly Trojan Horse highlights the tragic irony of the scene.

P

Participle

Criticality: 3

A verbal adjective that shares characteristics of both verbs and adjectives, showing tense and voice while modifying a noun.

Example:

The running boy (currens puer) quickly escaped the danger, where 'running' is a present active participle.

Pathos

Criticality: 3

A quality that evokes pity, sadness, or other strong emotions in the reader or audience.

Example:

The horrific death of Laocoon and his innocent sons is filled with pathos, making the reader feel deep sorrow.

Personification

Criticality: 2

A literary device where human qualities or actions are attributed to inanimate objects or abstract ideas.

Example:

The horse inlabitur (glides) into the city, as if it were a living, active entity, an example of personification.

Polysyndeton

Criticality: 2

The repeated use of conjunctions (like *et*, *que*, *atque*) in close succession, often for emphasis or to create a sense of accumulation.

Example:

The repeated sub in sub pedibusque deae clipeique sub orbe teguntur is polysyndeton, stressing the snakes' complete concealment.

S

Simile

Criticality: 3

A literary device that directly compares two unlike things using 'like' or 'as' (or Latin *qualis*, *ut*, *velut*).

Example:

Laocoon's cries were qualis mugitus, like the bellowing of a wounded bull, a powerful simile highlighting his pain.

Symbolism

Criticality: 3

The use of objects, people, or ideas to represent something else, often a deeper meaning or concept.

Example:

The Trojan Horse serves as potent symbolism for hidden danger and the deceptive nature of appearances.

T

Tragedy

Criticality: 3

A genre of drama or literature that depicts serious events and typically ends with the downfall or death of the protagonist.

Example:

The Aeneid, particularly Book 2, recounts the tragedy of Troy's destruction and the suffering of its people.

Tritonidis

Criticality: 2

A genitive singular noun meaning 'of Triton's daughter,' a poetic epithet for Minerva (Athena), who was said to have been born near Lake Tritonis.

Example:

The snakes sought refuge at the temple of Tritonidis, revealing Minerva's involvement in the destruction.

a

accingunt

Criticality: 2

A present active indicative verb meaning 'they gird themselves' or 'they prepare themselves,' indicating readiness for action.

Example:

The Trojans accingunt omnes operi, girding themselves for the task of moving the horse.

atroque veneno

Criticality: 2

An ablative of means phrase meaning 'with black venom,' describing the deadly substance.

Example:

The serpents' bite injected atroque veneno, a dark poison that quickly overcame their victims.

c

clamores horrendos

Criticality: 2

An accusative plural phrase meaning 'horrendous shouts' or 'dreadful cries,' conveying intense fear or pain.

Example:

Laocoon raised clamores horrendos to the heavens, his agony echoing through the city.

f

fatalis machina

Criticality: 3

A nominative singular phrase meaning 'fated machine' or 'deadly contrivance,' referring to the Trojan Horse as an instrument of destiny.

Example:

The fatalis machina ascended the walls, a harbinger of Troy's destruction.

feta armis

Criticality: 3

An ablative of description phrase meaning 'pregnant with weapons' or 'filled with arms,' metaphorically describing the horse's hidden contents.

Example:

The horse, feta armis, concealed Greek soldiers within its wooden belly.

funem

Criticality: 2

An accusative singular noun meaning 'rope' or 'cable,' used for pulling or binding.

Example:

The children joyfully touched the funem, helping to pull the horse into the city.

g

gemini dracones

Criticality: 3

A nominative plural phrase meaning 'twin snakes' or 'twin serpents,' referring to the two monstrous creatures sent by Minerva.

Example:

The terrifying gemini dracones emerged from the sea, bringing divine wrath upon Troy.

i

incertam securim

Criticality: 2

An accusative singular phrase meaning 'an uncertain axe,' referring to an axe that has missed its mark or is wielded unsteadily.

Example:

The incertam securim that missed the bull's neck adds to the chaotic and violent imagery.

innuptae puellae

Criticality: 2

A nominative plural phrase meaning 'unwedded girls' or 'virgin maidens,' often participating in religious ceremonies.

Example:

The innuptae puellae sang sacred songs, unaware of the danger they welcomed.

l

lapsus

Criticality: 2

An accusative plural noun meaning 'motion,' 'gliding,' or 'slipping,' often referring to smooth movement.

Example:

They placed wheels beneath the horse's feet for easier lapsus, smooth motion.

m

minans

Criticality: 2

A present active participle meaning 'threatening' or 'menacing,' describing something that poses a danger.

Example:

The horse, minans, glided into the city, its ominous presence unnoticed by the celebrating Trojans.

mugitus

Criticality: 2

A nominative singular noun meaning 'bellowing' or 'moaning,' typically referring to the sound made by a bull.

Example:

The wounded bull's mugitus was a mournful sound, mirroring Laocoon's own cries.

o

operi

Criticality: 2

A dative of purpose noun meaning 'for the task' or 'for the work,' indicating the goal of an action.

Example:

They dedicated themselves operi, to the great task of bringing the horse into the city.

p

perfusus

Criticality: 2

A perfect passive participle meaning 'drenched' or 'soaked,' often indicating a state of being covered.

Example:

Laocoon's headbands were perfusus sanie, drenched with gore, a gruesome sight.

s

saevae

Criticality: 2

A genitive singular adjective meaning 'fierce,' 'savage,' or 'cruel,' often used to describe gods or powerful forces.

Example:

The snakes fled to the altar of the saevae Tritonidis, emphasizing Minerva's wrathful nature.

sanie

Criticality: 2

A noun meaning 'blood' or 'gore,' typically referring to bloody fluid or putrid matter.

Example:

The snakes left a trail of sanie as they attacked Laocoon, emphasizing the brutality of the scene.

saucius

Criticality: 2

A nominative singular adjective meaning 'wounded' or 'injured,' describing a state of physical harm.

Example:

The saucius taurus, a wounded bull, struggled against its fate at the altar.

stuppea vincula

Criticality: 2

An accusative plural phrase meaning 'hemp ropes,' referring to strong cords made from hemp fibers.

Example:

They fastened stuppea vincula around the horse's neck to pull it.

t

taurus

Criticality: 2

A nominative singular noun meaning 'bull,' often used in sacrificial contexts or as a symbol of strength.

Example:

The comparison of Laocoon to a struggling taurus highlights his helplessness and suffering.

v

vittas

Criticality: 2

An accusative plural noun meaning 'headbands' or 'fillets,' often worn by priests or sacrificial victims.

Example:

The priest's sacred vittas were stained with venom, defiling his holy office.