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Glossary

A

Ablative Absolute

Criticality: 3

A grammatical construction consisting of a noun or pronoun and a participle (or adjective/noun) in the ablative case, grammatically independent from the rest of the sentence, providing background or circumstantial information.

Example:

Urbe capta, cives fugerunt' ('With the city captured, the citizens fled') uses an ablative absolute to set the scene.

Alliteration

Criticality: 3

The repetition of initial consonant sounds in words that are close together, creating a musical or emphatic effect.

Example:

'Ferox fama fugit' ('Fierce fame flees') demonstrates alliteration with the repeated 'f' sound.

Anadiplosis

Criticality: 1

The repetition of the last word of one clause or sentence at the beginning of the next, creating a sense of flow or emphasis.

Example:

'Timor mortis, mors est' ('The fear of death, death is') uses anadiplosis to link the two clauses.

Anaphora

Criticality: 3

The repetition of a word or phrase at the beginning of successive clauses or lines, used for emphasis or rhetorical effect.

Example:

'Non ignara mali, non durae fata senectae' ('Not ignorant of evil, not the fates of harsh old age') uses anaphora to stress the repeated negation.

Anastrophe

Criticality: 2

The inversion of the usual or natural word order, often for emphasis or metrical effect in poetry.

Example:

'Te propter' ('You because of,' instead of 'propter te') is an anastrophe that places emphasis on 'te'.

Antithesis

Criticality: 2

A rhetorical device that presents a striking contrast or opposition of ideas or words in a balanced or parallel construction.

Example:

'Non ut edam vivo, sed ut vivam edo' ('I do not live to eat, but I eat to live') is an antithesis contrasting two opposing ideas.

Antonomasia

Criticality: 1

The substitution of a proper name for a common noun or vice versa, or the use of an epithet or title in place of a proper name.

Example:

Referring to a wise person as a 'Solon' or a strong man as a 'Hercules' are examples of antonomasia.

Asyndeton

Criticality: 2

The omission of conjunctions between words, phrases, or clauses where they would normally be expected, creating a sense of speed or intensity.

Example:

'Veni, vidi, vici' ('I came, I saw, I conquered') is a famous example of asyndeton, lacking 'and' between the verbs.

C

Chiasmus

Criticality: 2

A rhetorical device in which two or more clauses are balanced against each other by the reversal of their structures, in an ABBA pattern.

Example:

'Magnas inter opes inops' ('Poor amidst great riches') is a chiasmus with the pattern adjective-noun-noun-adjective.

Comparative Phrases

Criticality: 2

Phrases that compare two or more things, often using comparative adjectives or adverbs, or constructions with 'quam' (than).

Example:

'Celerior leone' ('faster than a lion') or 'celerior quam leo' are comparative phrases.

Conditional Phrases

Criticality: 3

Phrases or clauses that express hypothetical situations or conditions, typically introduced by 'si' (if) or 'nisi' (unless).

Example:

'Si venias, laetus ero' ('If you come, I will be happy') is a conditional phrase setting up a hypothetical scenario.

D

Dative of Agent

Criticality: 2

The dative case used in passive periphrastic constructions to indicate the person by whom an action must be performed.

Example:

'Mihi est agendum' ('It must be done by me') demonstrates the dative of agent indicating who is responsible for the action.

E

Epanalepsis

Criticality: 1

The repetition of a word or phrase at the beginning and end of the same clause or sentence.

Example:

'Rem tene, verba sequentur rem' ('Grasp the subject, the words will follow the subject') demonstrates epanalepsis.

Epithet

Criticality: 2

A descriptive adjective or phrase expressing a quality or characteristic of the person or thing mentioned, often a recurring feature in epic poetry.

Example:

'Pius Aeneas' ('Pious Aeneas') is a common epithet for the hero of the Aeneid, highlighting his defining virtue.

Epizeuxis

Criticality: 1

The repetition of a word or phrase in immediate succession for emphasis.

Example:

'Urbs, urbs perit!' ('The city, the city perishes!') uses epizeuxis to convey urgency and despair.

G

Genitive Case

Criticality: 3

A noun case primarily used to show possession, relationship, or to describe a quality, often translated with 'of' or an apostrophe 's'.

Example:

'Liber pueri' ('the book of the boy' or 'the boy's book') illustrates the genitive case for possession.

Gerund Phrase

Criticality: 2

A phrase containing a gerund (a verbal noun) that functions as a noun, typically in the genitive, dative, accusative, or ablative cases.

Example:

'Ars vivendi difficilis est' ('The art of living is difficult') uses a gerund phrase as a genitive of description.

Gerundive Phrase

Criticality: 2

A phrase containing a gerundive (a verbal adjective) that expresses purpose or necessity, often translated as 'for the purpose of' or 'needing to be done.'

Example:

'Ad urbem videndam venerunt' ('They came for the purpose of seeing the city') uses a gerundive phrase to show purpose.

H

Hyperbole

Criticality: 2

Exaggeration used for emphasis or effect, not meant to be taken literally.

Example:

'Montes auri pollicetur' ('He promises mountains of gold') is hyperbole, an obvious exaggeration.

I

Imperative Mood

Criticality: 2

A verb mood used to express direct commands or requests.

Example:

'Veni huc!' ('Come here!') is a direct command using the imperative mood.

Indefinite Pronouns

Criticality: 2

Pronouns that refer to unspecified people or things, such as 'someone,' 'something,' 'anyone,' or 'anything.'

Example:

'Quis hoc fecit?' ('Someone did this?') uses an indefinite pronoun to refer to an unknown person.

Indirect Discourse

Criticality: 3

The reporting of someone's speech or thought indirectly, typically introduced by a verb of saying or thinking and often using an infinitive clause in Latin.

Example:

'Dicit se Romam ire' ('He says that he is going to Rome') is an example of indirect discourse.

Infinitive Phrase

Criticality: 2

A phrase consisting of an infinitive verb and any objects, complements, or modifiers, often functioning as a noun, adjective, or adverb.

Example:

'Discipuli bene studere cupiunt' ('The students desire to study well') contains an infinitive phrase acting as the object of 'cupiunt'.

Interpretive Translation

Criticality: 3

A translation that focuses on conveying the meaning, tone, and nuance of the original text, even if it requires departing from a strict word-for-word rendering.

Example:

An interpretive translation of 'fata viam invenient' might be 'fate will find a way,' capturing the idiom rather than a rigid 'fates a path will find.'

L

Literal Translation

Criticality: 3

A translation that aims for word-for-word accuracy, preserving the original grammatical structures and vocabulary as closely as possible.

Example:

When translating 'arma virumque cano,' a literal translation would be 'arms and the man I sing,' focusing on each individual word.

Litotes

Criticality: 2

An understatement in which an affirmative is expressed by the negation of its opposite, often for ironic or emphatic effect.

Example:

'Non ignarus mali' ('Not unaware of evil,' meaning 'very aware of evil') is a litotes.

M

Metaphor

Criticality: 3

A figure of speech that makes an implied comparison between two unlike things without using 'like' or 'as,' stating one thing is another.

Example:

'Vita est bellum' ('Life is war') is a metaphor, directly equating life to war.

N

Nominalization

Criticality: 1

The process of turning a verb or adjective into a noun, often to express an action or quality as a concept.

Example:

The transformation of the verb 'to conquer' into the noun 'the conquest' is an example of nominalization.

Nominative Absolute

Criticality: 1

A rare construction in Latin where a clause in the nominative case, often at the beginning of a sentence, is grammatically independent but provides context for the main clause.

Example:

While less common than the ablative absolute, a nominative absolute might appear in poetic contexts, like 'Iuppiter ipse, caelo tonans, terram concussit,' where 'caelo tonans' describes Jupiter but is loosely connected.

P

Participle Phrase

Criticality: 3

A group of words containing a participle and any modifiers or complements, functioning as an adjective to describe a noun or pronoun.

Example:

In 'miles, gladium tenens, hostem petivit,' the phrase 'gladium tenens' is a participle phrase describing the soldier.

Perfect Tense

Criticality: 3

A past tense indicating a completed action in the past, often translated with 'has/have' or a simple past tense.

Example:

'Caesar vicit' ('Caesar conquered' or 'Caesar has conquered') uses the perfect tense to describe a completed past action.

Personal Pronouns

Criticality: 2

Pronouns that refer to specific people or things, indicating the speaker (first person), the person spoken to (second person), or the person/thing spoken about (third person).

Example:

'Ego te amo' ('I love you') uses personal pronouns to refer to the speaker and the person addressed.

Personification

Criticality: 2

Attributing human qualities, emotions, or actions to inanimate objects, animals, or abstract ideas.

Example:

'Fortuna caeca est' ('Fortune is blind') uses personification by giving the abstract concept of fortune a human characteristic.

Pluperfect Tense

Criticality: 2

A past perfect tense indicating an action that was completed before another past action.

Example:

'Cum venerat, amici laeti erant' ('When he had come, his friends were happy') shows an action completed before another past event using the pluperfect tense.

Polysyndeton

Criticality: 2

The use of multiple conjunctions in close succession, often for emphasis or to create a sense of overwhelming quantity.

Example:

'Et mare et terra et caelum' ('And the sea and the land and the sky') uses polysyndeton to list elements with equal weight.

R

Relative Clauses

Criticality: 3

Subordinate clauses introduced by a relative pronoun (like *qui, quae, quod*) that provide additional information about a noun or pronoun in the main clause.

Example:

'Vir qui venit amicus meus est' ('The man who came is my friend') contains a relative clause modifying 'vir'.

Rhetorical Question

Criticality: 2

A question asked for effect or to make a point, rather than to elicit an actual answer.

Example:

'Quo usque tandem abutere, Catilina, patientia nostra?' ('How long, pray, Catiline, will you abuse our patience?') is a famous rhetorical question from Cicero.

S

Simile

Criticality: 3

A figure of speech that makes a direct comparison between two unlike things using words like 'sicut' (just as), 'qualis' (such as), or 'velut' (as if).

Example:

'Puer sicut leo pugnavit' ('The boy fought like a lion') is a simile, explicitly comparing the boy to a lion.

Subjunctive Mood

Criticality: 3

A verb mood used to express wishes, possibilities, commands, conditions, or actions that are not factual or certain, often found in subordinate clauses.

Example:

'Utinam veniat!' ('Would that he might come!') uses the subjunctive mood to express a wish.