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Glossary

A

Augmented (Interval)

Criticality: 2

An interval that is a half step larger than its corresponding major or perfect interval.

Example:

If you raise the top note of a perfect fourth (C to F) by a half step (C to F#), it becomes an augmented fourth.

C

Consonant Intervals

Criticality: 2

Intervals that sound stable, resolved, and pleasing to the ear.

Example:

Perfect fifths and major thirds are considered consonant intervals and often form the basis of stable chords.

D

Diminished (Interval)

Criticality: 2

An interval that is a half step smaller than its corresponding minor or perfect interval.

Example:

Lowering the top note of a minor third (C to Eb) by a half step (C to Ebb) creates a diminished third.

Dissonant Intervals

Criticality: 2

Intervals that sound unstable, unresolved, and create tension, often requiring resolution.

Example:

A minor second or a tritone are examples of dissonant intervals that create a sense of unease in music.

H

Harmonic (Interval)

Criticality: 2

An interval formed by two notes played simultaneously.

Example:

When a pianist plays a C major chord, the C and E notes create a harmonic major third.

I

Interval

Criticality: 3

The distance in pitch between two notes. Intervals are fundamental building blocks of melodies, chords, and harmonies.

Example:

The opening two notes of 'Twinkle, Twinkle Little Star' form a perfect fifth interval.

Interval Inversion

Criticality: 3

The process of flipping an interval by moving the lower note an octave higher or the upper note an octave lower.

Example:

A major third (C to E) inverts to a minor sixth (E to C), demonstrating interval inversion.

M

Major (Interval)

Criticality: 3

An interval found in a major scale, typically larger than its minor counterpart by a half step.

Example:

The interval from the tonic to the third scale degree in a major scale is always a major third.

Melodic (Interval)

Criticality: 2

An interval formed by two notes played one after the other.

Example:

The first two notes of 'Happy Birthday' (sol-do) create a melodic perfect fourth.

Minor (Interval)

Criticality: 3

An interval that is one half step smaller than its corresponding major interval.

Example:

Changing a major third (C to E) to a minor third involves lowering the top note by a half step (C to Eb).

O

Octave

Criticality: 2

An interval spanning eight scale degrees, where the higher note has twice the frequency of the lower note.

Example:

A bass singer and a soprano singing the same note name (e.g., C) but at different registers are singing an octave apart.

P

Perfect (Interval)

Criticality: 3

A stable interval type that includes unisons, fourths, fifths, and octaves.

Example:

The interval between the root and the fifth of a major or minor triad is always a perfect fifth.

Q

Quality (of Interval)

Criticality: 3

The specific type of an interval, indicating its exact sound and number of half steps.

Example:

A C to E interval has a quality of major, while C to Eb has a minor quality.

S

Size (of Interval)

Criticality: 3

The numerical distance between notes, determined by counting lines and spaces, including the starting and ending notes.

Example:

From C to G, counting C, D, E, F, G gives a size of a fifth.

T

Tritone

Criticality: 3

A highly dissonant interval spanning three whole steps, equivalent to an augmented fourth or a diminished fifth.

Example:

The interval from F to B is a tritone, often used in dramatic or unsettling music.

U

Unison

Criticality: 1

An interval where two notes are at the exact same pitch.

Example:

When two singers sing the same melody note at the same time, they are singing in unison.