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  1. AP Music Theory
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Minor Scales and Key Signatures, Melody, Timbre, and Texture

Question 1
college-boardMusic TheoryAPExam Style
1 mark

If you were asked to analyze modulation between relative keys, which interval might you expect to find bridging pivot chords?

Question 2
college-boardMusic TheoryAPExam Style
1 mark

What specific voice-leading error could result from incorrectly writing parallel perfect intervals between two voices over consecutive chords?

Question 3
college-boardMusic TheoryAPExam Style
1 mark

Assuming a composition contains multiple sections, each of which features distinct tonality, what is likely to result from various segment boundary crossings in terms of the respective local inter-relations?

Question 4
college-boardMusic TheoryAPExam Style
1 mark

What interval quality change occurs when you alter a perfect fifth by raising the top note by a half step?

Question 5
college-boardMusic TheoryAPExam Style
1 mark

A Melody Begins On D And Moves Up To An E Then Descends To Bb Before Ascending Again. What Interval Does The Bb Constitute Relative To The Original D?

Question 6
college-boardMusic TheoryAPExam Style
1 mark

Which of the following is considered a simple time signature?

Question 7
college-boardMusic TheoryAPExam Style
1 mark

Which interval quality is found between C and E in a C major scale?

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Question 8
college-boardMusic TheoryAPExam Style
1 mark

In analyzing a piece where a consecutive series of intervals are all minor thirds apart, what would be the relationship between the first note (C) and the fifth note in this sequence?

Question 9
college-boardMusic TheoryAPExam Style
1 mark

What interval size is created when you ascend diatonically from G# to D# within the key of E major?

Question 10
college-boardMusic TheoryAPExam Style
1 mark

What quality is created when an interval's upper and lower notes are lowered by one half-step each?