Minor Scales and Key Signatures, Melody, Timbre, and Texture
What specific voice-leading error could result from incorrectly writing parallel perfect intervals between two voices over consecutive chords?
If you were asked to analyze modulation between relative keys, which interval might you expect to find bridging pivot chords?
When composing a melody that includes tritones within its structure, if one appears between F# and C natural what must occur next so as not to leave it unresolved according to common practice rules?
In serialist twelve-tone compositions what role does interval-class consistency play across rows?
Which of these intervals is considered a perfect fifth?
Which interval quality changes when modulating from a major key to its relative minor?
How many half-steps are there in an octave?
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If you ascend from G to Bb, what interval have you created?
If a melodic note is approached and left by leap in an accented manner on an unstable beat, what type of non-harmonic tone is it typically identified as?
What is the size of an interval from A to B on any instrument?