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Major Keys and Key Signatures

Hannah Hill

Hannah Hill

8 min read

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Study Guide Overview

This AP Music Theory study guide covers keys and key signatures, including identification, and the concept of tonality. It explores the circle of fifths to understand key relationships and defines closely related keys. The guide also explains how to notate and sing melodies in major keys, focusing on identifying the tonic and using major scale knowledge. Practice questions and exam tips are provided.

AP Music Theory: Keys, Key Signatures, and Melodies - Your Ultimate Review 🎢

Hey there, future music master! Let's get you prepped and confident for the AP Music Theory exam. This guide is designed to be your go-to resource, especially for that last-minute review. Let's dive in!

Keys and Key Signatures: The Foundation πŸ”‘

What is a Key?

When a piece of music centers around a specific major or minor scale, we say it's in a particular key. Think of it as the home base for the music. For instance, if a song uses the notes of the F major scale and F feels like the central pitch, it's "in the key of F major."

Key Signatures: Your Road Map πŸ—ΊοΈ

Key signatures are those sharps or flats at the beginning of a piece that tell you what key you're in. They're placed right after the clef and time signature and apply throughout the entire piece. Remember, they help you know which notes are always sharp or flat in that key.

Quick Fact

The C major scale has no sharps or flats! It's the blank canvas of key signatures. 🎨

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Key Concept

There are 12 major keys in total, one for each note of the chromatic scale. Enharmonic equivalents (like C# and Db) are considered the same key, even with different key signatures. πŸ’‘

Here's a handy visual of all the key signatures:

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Key signatures establish the tonality of a piece. The tonic (first scale degree) is the most important note, and all other notes are related to it by specific intervals.

For example:

  • One sharp: G major or E minor.
  • Two sharps: D major or B minor.
  • One flat: F major or D minor.
  • Two flats: Bb major or G minor.

Finding the Key: Quick Tricks πŸͺ„

Sharps:

Look at the last sharp in the key signature and go up a half step. If the last sharp is D#, you're in E major.

Flats:

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Memorize that one flat indicates F major. For all other flat keys, find the second to last flat. If your key signature has Bb, Eb, Ab, and Db, you're in Ab major!

The Circle of Fifths: Key Relationships πŸ”„

The circle of fifths shows the relationships between keys, helping you understand how chords and progressions work. It also illustrates the relationship between major and minor keys.

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Moving clockwise by a fifth takes you to a closely related key. For example, C major to G major. Moving counterclockwise by a fifth takes you to another closely related key, such as C major to F major. Keys that are next to each other on the circle are closely related.

Closely related keys share many notes and have similar tonality. They use many of the same chords and have a similar sound. Keys a fifth apart on the circle are closely related. For example, C major and G major are closely related. However, E major and E flat major are not closely related, even though they're close on the chromatic scale!

Another way to think about closely related keys is by comparing key signatures. Similar key signatures = closely related keys. C major and G major are closely related because they both have similar key signatures (C major has no sharps/flats and G major has one sharp). C major and F major are not as closely related because they have different key signatures (C major has no sharps/flats and F major has one flat).

Key Concept

Keys closest on the circle of fifths are the most closely related. This makes it easier to modulate (shift) between them. You'll learn more about modulation in Unit 5! πŸ’‘

A Bit of History πŸ“œ

The circle of fifths has been used for centuries, dating back to the Renaissance. The term was coined by Johann David Heinichen in the 18th century, but the concept is much older. It's a Western idea, so remember that many musical styles don't use it!

Exam Tip

Make sure you keep the flat in the name of the key signature, too. For example, look at the measure labeled Gb major. You will see that the second-to-last flat is, indeed, over a Gb. πŸ“

🦜 Polly wants a progress tracker:

  • Order of Sharps: F#, C#, G#, D#, A#, E#, B#
  • Order of Flats: Bb, Eb, Ab, Db, Gb, Cb, Fb
Memory Aid

Mnemonic for Sharps: Father Charles Goes Down And Ends Battle. Mnemonic for Flats: Battle Ends And Down Goes Charles' Father.

Notating and Singing Melodies in Major Keys 🎼

On the AP exam, you might need to notate melodies in major keys. You'll need to know your major and perfect intervals. Use familiar tunes to help you remember these intervals. (e.g., "do-re-mi" for major scales).

The exam will give you the first note's pitch and the key signature. Your job is to figure out the scale degree of the first note (usually the tonic or dominant).

Strategies for Success πŸš€

  1. Find the Tonic: Quickly identify the tonic (first scale degree). Then, use your knowledge of the major scale (do-re-mi) to fill in the rest.
  2. Accidental Awareness: In major keys, there are usually 0-2 accidentals in the melody. If you're getting many accidentals, you likely made a mistake early on.
  3. Practice: Practice, practice, practice! You'll get better at this over time. Try figuring out the pitches first, then add the rhythm. Or vice versa, whatever works for you! Sight-singing practice is also helpful.
Exam Tip

Use past AP Music Theory exam questions for practice. Start with smaller skills and build up to more complex combinations. Apps like Earpeggio can also help with ear training. 🎧

Final Exam Focus 🎯

  • Key Signatures: Know them inside and out! Use the tricks for sharps and flats.
  • Circle of Fifths: Understand key relationships and how to use the circle.
  • Melody Notation: Practice notating and singing melodies in major keys. Focus on identifying the tonic and using your knowledge of the major scale.
Common Mistake

Don't rush! Take your time to identify the tonic and double-check your accidentals. 🧐

Last-Minute Tips ⏰

  • Time Management: Don't spend too long on one question. Move on and come back if you have time.
  • Common Pitfalls: Watch out for accidentals and double-check your work.
  • Strategies: Use the strategies outlined here for each question type.

Practice Question

Practice Questions πŸ“

Multiple Choice Questions

  1. A key signature with three flats indicates which major key? a) C major b) F major c) Eb major d) Ab major

  2. Which key is most closely related to D major? a) A major b) Eb major c) F major d) Ab major

  3. If the last sharp in a key signature is G#, what is the major key? a) A major b) B major c) C major d) D major

Free Response Question

FRQ Prompt:

Given the following melody in the key of G major, notate the melody on the staff provided. The first note is the tonic.

(A musical staff with a melody line is provided here, but cannot be rendered in this format. Imagine a simple melody starting on G, moving to A, then B, then back to G. The rhythm is simple, with quarter notes and half notes.)

Scoring Breakdown:

  • Correct Notes: 1 point for each correct note (4 points total)
  • Correct Rhythm: 1 point for each correct rhythm (4 points total)
  • Correct Key Signature: 1 point (1 point total)
  • Correct Clef: 1 point (1 point total)
  • Total Points: 10 points

Answers

Multiple Choice:

  1. c) Eb major
  2. a) A major
  3. a) A major

Free Response:

(The answer would be the correct notation of the melody on the staff, with the correct key signature, clef, notes, and rhythm. This cannot be fully rendered in this format.)

You've got this! Go rock that AP Music Theory exam! 🀘